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Views from the Choir Loft

Art is an act of love.

Richard J. Clark · December 16, 2016

OD SENDS US different kinds of people in our lives. Sometimes, he sends difficult people who remain with us for a long time. Then he sends others, who like angels remind us that “Yea, though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me; thy rod and thy staff they comfort me.” (Ps. 23:4)

Or perhaps more portentously, “There but for the grace of God go I.”

Not only do we survive, but thrive. And the difficult people? They are angels as well to make us much better at what we do. Or they offer clarity in making life choices. Another blessing. Or they hearken us deeper into prayer….yet another profound blessing.

Difficult people, especially in roles of leadership, often make for difficult times. For an artist, this may yield a mixed result, as it often has shown in history. It may feed into a determination to create more fully. It may also make one more grateful for not just talented people, but instead genuinely good-hearted people—thus clarifying more life choices.

At certain times, an artist requires refuge, as Jehan Alain wrote of his “Le jardin suspendu” calling it the “inviolable refuge”. Taking refuge in prayer, the act of composing sacred music is a sanctuary no one can take away. Perhaps like adoration before our Lord, composing on the Word of God is time spent just being with God. It is an act of supreme love. Like accompanying a lifelong friend, one’s child or spouse, just being with God—whom we love—is more important than anything else in the world. It is more important than accomplishing anything society deems important.

Difficult situations, difficult people, any difficulty can place a person into a distressed state of mind, ranging from clinical depression to simply ordinary unease. Each of us carries a unique cross. This can feel lonely, but recall that God has chosen a cross for each of us to carry.

Some of us may feel called to turn the cross into sacred art, and therefore, prayer. Also, let us not forget to turn joy into prayer! This prayer may refine and focus a further calling, a further decision. But that is secondary to simply being with the God who loved us before we were born. Ps. 139: “Your eyes saw my unformed body; all the days ordained for me were written in your book before one of them came to be.”

Create art.
Create art in prayer.
Create love.

Art is an act of love.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“A flawless harmonization of Gregorian chant cannot be created by improvisation, no matter the competence and ability of the organist or harmonist.”

— Monsignor Jules Van Nuffel (circa 1940)

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