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Views from the Choir Loft

Archives for September 2016

Cynthia Ostrowski · September 14, 2016

“Matri Divinæ Gratiæ” • 3-voice Motets (SAB)

Kevin Allen has released a collection every Roman Catholic choir will treasure!

Jeff Ostrowski · September 14, 2016

Do You Recognize This Hymn Tune?

One man’s hymn sensitivities are another man’s…

Jeff Ostrowski · September 13, 2016

A Blemish On Hymnody Printing?

The word “Thy” is used in the Lord’s Prayer at every Mass, yet nobody struggles to understand it.

Jeff Ostrowski · September 12, 2016

Greatest Church Music Book Ever Written?

This volume by Paul Hume is supremely addictive!

Fr. David Friel · September 11, 2016

Composition Contest

Submissions Sought by the Conference of Roman Catholic Cathedral Musicians

Jeff Ostrowski · September 10, 2016

Chief Reasons For Mass “Facing The People”

Are you being rude to people sitting in pews behind you?

Richard J. Clark · September 9, 2016

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

These three elements inform most every aspect of our service to God and the faithful.

Jeff Ostrowski · September 9, 2016

A Serious Question About Vatican II

Vatican II spoke of “useless repetitions” in the liturgy, and said these should be examined…

Andrew Leung · September 8, 2016

Ten Reflections on “Pride of Place”

Giving Gregorian Chant the “pride of place” is more than just singing the Propers.

Jeff Ostrowski · September 6, 2016

Musical Resources • 17th Sunday after Pentecost

“We implore Thy majesty, O Lord, that the holy mysteries we are celebrating may free us of past sins and save us from future sins.”

Dr. Lucas Tappan · September 6, 2016

The Current Heresy

He was right, I spoke an unforgivable heresy—boys and girls are different.

Guest Author · September 5, 2016

Guest Article: “Why That Hymn Doesn’t Work”

Twelve Criteria to Help Explain Yourself

Corpus Christi Watershed · September 4, 2016

Impressive Video — “Ad Orientem” Celebration

“Do it gradually, with proper catechesis, to avoid shocking the people.” —Most Rev’d Gracida

Fr. David Friel · September 4, 2016

Paul McCartney Likes Choir Music

Start your choir year with inspiration from an unlikely source.

Jeff Ostrowski · September 3, 2016

Musical Resources • 16th Sunday after Pentecost

“Let Thy grace, we beseech Thee, O Lord … make us to be continually zealous in doing good works.”

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Contradictions place us at the foot of the Cross, and the Cross places us at the gates of Heaven.” (Saint John Mary Vianney)

— Cardinal Merry del Val’s Prayer-Book

Recent Posts

  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”

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