Views from the Choir Loft

Greatest Church Music Book Ever Written?

Jeff Ostrowski · September 12, 2016

OMETIMES PEOPLE want to know the greatest book on Catholic church music ever written. Many say it’s the 1907 volume by Sir Richard R. Terry, and there’s no denying it’s a good read. Others might mention books by Karl Gustav Fellerer or William Mahrt—and there are many others from which to choose.

For myself, I’d be tempted to cite the 1956 book CATHOLIC CHURCH MUSIC by Paul Hume.

Here’s a sample chapter:

* * Chapter IV: • THE PROBLEM OF HYMNS

Paul Hume (1915-2001) served as music editor for the Washington Post from 1946 to 1982, and was once sent a famous piece of hate mail by President Truman after Hume criticized the singing technique of the president’s daughter.

A friend of mine sent me a Google link to the entire book ¹ (out-of-print for decades), which was originally published by a defunct company that went out existence in 1990. You can download the entire book, but please exercise caution—you won’t be able to stop reading! Paul Hume is a fantastic wordsmith, and anyone who reads our blog is in love with the subject matter, needless to say.

NOTES FROM THIS ARTICLE:

1 By the way, the book’s Preface is by Rev’d Francis Guentner (1917-2013), a famous church musician who studied theology at St. Mary’s College in Kansas. That college—formerly owned by the Jesuits—now belongs to the SSPX, and I’m told the entire property was sold to them for a dollar. (That’s what I was told, but who knows if it’s true.)

About Jeff Ostrowski

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004), and did graduate work in Musicology. He serves as choirmaster for the new FSSP parish in Los Angeles, where he resides with his wife and children.

“Daily I sat in the temple, close to you…”

Fulton J. Sheen always said the “very best translation” of Sacred Scripture was the version by Monsignor Ronald Knox, and here’s what Knox had for the Passion read today (Pre-1955 Palm Sunday): “And Jesus said to the multitude at that hour, You have come out to my arrest with swords and clubs, as if I were a robber; and yet I used to sit teaching in the temple close to you, day after day, and you never laid hands on me.” (Mt 26:55)

Did you catch that? Our Lord sat close to them! He was near them! The Second Person of the Blessed Trinity touched them, and was friendly toward them! Truly, the people who can hurt us the most—and betray us the most—are those whom we have loved.

—Jeff Ostrowski

Sacred Music Symposium • “What We Avoid”

I wish we had to time to discuss artwork at the Sacred Music Symposium, but there’s just not enough time. At this year’s conference in June, we will sing an absolutely incredible Magnificat setting by Father Francisco Guerrero (d. 1599). If you examine the part books, you will notice a marvelous aesthetic desire to avoid the same capital letter—for the sake of beauty. Do you see how the Part Books find a way to avoid repeating the Capital G twice, by using the word “Superius” (which is roughly analogous to “Soprano”)? Breathtaking!

—Jeff Ostrowski

“Abraham” • Guerrero Imitates His Teacher

Father Francisco Guerrero (d. 1599) studied music with Father Cristóbal de Morales circa 1545. He taught himself the organ. On 3 April 1542 he was engaged as a contralto by Seville Cathedral at an annual salary of 12,000 maravedís. He remained there until 1546, when, at the age of only 17, he was invited—on the recommendation of Father Morales—to become mæstro de capilla of Jaén Cathedral. He was entrusted with the boarding, lodging, and instruction of the six choirboys; but he neglected this duty and was sentenced to be dismissed on 30 August 1548. However, he was absolved and reinstated on 3 November. I think you can see (perhaps) a little homage to his teacher on the word “Abraham.”

—Jeff Ostrowski