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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Do You Recognize This Hymn Tune?

Jeff Ostrowski · September 14, 2016

119 St. Robert Southwell HE JESUIT PRIEST and brilliant poet, Saint Robert Southwell, earned his crown of martyrdom at age thirty-three. 1 He left us beautiful verses, and the bravery he demonstrated during his life shows he believed what he wrote—to the very core of his soul. In the CAMPION HYMNAL, many of his religious texts were set to delightful music.

Here’s an example, which focuses on something we don’t like to think about, namely our sins:

This globe of earth doth thy one finger prop,
The world thou dost within thy hand embrace;
Yet all this weight of sweat drew not a drop,
Nor made thee bow, much less fall on thy face;
But now thou hast a load so heavy found,
That makes thee bow, yea fall flat to the ground.

(It’s the second verse of #826 in the Campion Hymnal.)

ONE MUST ALWAYS STRIVE to marry hymn texts to melodies with care and sensitivity. The following is a famous text by St. Robert Southwell, but do you recognize the tune?

121 Southwell MATERNA


It’s a beautiful tune, but I don’t think it could be used—because the association to something secular is (in my opinion) too strong.

Consider two more “grotesque” hymn pairings:

    * *  Example 1 • pairs an Easter text

    * *  Example 2 • pairs “At the Lamb’s High Feast.”

Were you able to discern the melodies?

WHILE POSTING THOSE VERSES by Saint Robert Southwell (SEE ABOVE) I stumbled upon something I published years ago. Now, you must understand that in general I’m a person who hates everything he’s ever done. I’m always embarrassed when I see my old writings or my old projects. This time, however, it was different. Believe it or not, I was spellbound by how good this particular project of mine came out—and I’d previously forgotten I was the author!

But I must say something else.

No matter how great our “accomplishments” are, they are nothing compared to what God does. Anyone who’s a parent, think about your children—how perfect they are. The way their bodies develop: ears; stomach; eyes; hair; feet; and so forth. And the way their little minds develop!

As parents, we had nothing to do with this; it’s 100% God. And no matter how much we develop, through practice and study, our creations are NOTHING compared to the perfections of the children God creates and entrusts to our care. God the Father was “well pleased” in His Son, and this should give parents something to meditate upon during their holy hours.



NOTES FROM THIS ARTICLE:

1   Please do read the beautiful words spoken by Fr. Hardon about St. Southwell.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski
    Music List • “Repertoire for Weddings”
    Not everyone thinks about sacred music 24/7 like we do. When couples are getting married, they often request “suggestions” or “guidance” or a “template” for their musical selections. I created this music list with repertoire suggestions for Catholic weddings. Please feel free to download it if you believe it might give you some ideas or inspiration.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“Abbat Pothier’s great accomplishment is having returned to the Catholic world—along with the traditional melody—the traditional way of performing it. The foundations laid by this providential man have been accepted by all those who practice Gregorian chant.”

— Dr. Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum)

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