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Views from the Choir Loft

Archives for July 2015

Jeff Ostrowski · July 22, 2015

Musical Resources • 9th Sunday after Pentecost (Extraordinary Form)

The organist will play softly at the Offertory.

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Jeff Ostrowski · July 21, 2015

Fr. Carlo Rossini Is Wrong About “EU”

You can sleep soundly at night, knowing how to correctly pronounce “hagióque pnéumate.”

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Jeff Ostrowski · July 21, 2015

Fr. Robert E. Barron To Be Made A Bishop!

Three new auxiliary bishops for Los Angeles!

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Dr. Lucas Tappan · July 20, 2015

Should Children Have To Audition?

There is a proper balance between an impossibly hard formal audition and the usual “any child can join” policy that exists in the typical parish children’s choir.

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Andrew Leung · July 20, 2015

Videos • Bishop-Elect Robert Barron on the Liturgy

People should not be coming to Mass for the emotional high

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Jeff Ostrowski · July 20, 2015

Is Renaissance Music Too Expressive For Holy Mass?

“To thee do we send up our sighs, mourning and weeping in this valley of tears.”

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Jeff Ostrowski · July 20, 2015

“Sacred Vs. Secular Music” • Fr. John C. Selner

“…like man, Mary, you are IN—really cool among women.”

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Fr. David Friel · July 19, 2015

Vesting Prayers • Part 3 of 9

The Amice

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Andrew Leung · July 18, 2015

Summer Sacred Music Workshop 2015

Summer Sacred Music Workshop in Jasper, GA, on August 15.

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Veronica Brandt · July 18, 2015

Warm ups

Starting off choir practice with a game or two. Then a prayer before choir practice.

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Jeff Ostrowski · July 18, 2015

Church Needs “Disposable Art” Created To Last “Not Centuries, But Weeks (Or Hours).”

Fr. Robert W. Hovda argues that “Little Green Apples” can be sung during Mass.

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Richard J. Clark · July 17, 2015

Carpeting Is the Enemy of Congregational Singing

The removal of carpeting is the most effective way to improve many aspects of the liturgy. Externally, what benefits most is congregational singing.

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Jeff Ostrowski · July 16, 2015

Is Latin Impossible For Choirs?

When priests came into Bishop Trautman’s office asking permission, he would start speaking Latin to them.

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Andrew Leung · July 16, 2015

Afterthoughts on the Colloquium

Some afterthoughts on the Sacred Music Colloquium XXV

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Jeff Ostrowski · July 16, 2015

Musical Resources • 8th Sunday after Pentecost (Extraordinary Form)

“The master in this Gospel is praising, not the wrongful act of the unfaithful steward, but the peculiar astuteness with which he makes friends who will be useful when things go amiss.” (Maredsous N. T.)

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Corpus Christi Watershed

President’s Corner

    Oldest Latin Eucharistic Hymnal
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski
    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • Public Criticism of Jeff Ostrowski’s Singing Voice • Also: “Dich König loben wir”
  • Oldest Latin Eucharistic Hymnal
  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
  • “Receipts + Invoices” • (CCW Subscribers)

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