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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • 1974 “Graduale Romanum”

Jeff Ostrowski · February 17, 2014

Here’s the direct URL link.

OW HARD should we be on the Bishops’ Liturgy Committee with regard to their famous mistake of 2002? Some readers will recall the serious error made in their Newsletter of May 2002. The Committee attempted to fix the error, but ended up making things worse by an “official” wording that was literally bizarre & unintelligible (more). The error remained on the books for almost a decade, but was finally corrected due to indefatigable “nagging” by Christoph Tietze. We ought not be too hard on the Committee, who failed to understand that the Missal Antiphons are (by design) not identical 1 to those in the Roman Gradual. After all, even a famous “liturgy expert” got this wrong as recently as 19 July 2011. We can’t blame him, either, because the entire Church seemed to have collectively forgotten about “Propers” for decades. When I was going to Catholic grade school in the 1990s, we sang This Little Light Of Mine as the Introit!

Before I continue, here (for the first time) is a PDF copy of the 1974 Graduale Romanum:

* *  1974 Graduale Romanum • Solesmes Abbey / Vatican Press

* *  Alternate Version — A Different Scan Technique

HOW COULD EVERYONE just “forget” about the Roman Gradual? Let me explain, and I promise to be clear and to the point. Before the Council, the entire Liturgy could be found in one book: the Missal. However, the post-conciliar liturgy has three books: (1) Lectionary, containing the Readings; (2) Sacramentary, called a “Missal” starting in 2011; and (3) Roman Gradual, containing the music for Mass. Pretty basic, right? Old Rite had 1, New Rite has 3. So, what’s the problem?

Well, the problems came because the new books were introduced in the most chaotic way imaginable. For example, the Sacramentary was released piecemeal over a period of years. Other books were released in a “faux” version (e.g. Ordo Cantus Missae) containing almost nothing usable 2 in an actual liturgy. There were also issues as to whether certain books ought to be printed first in Latin or the vernacular. It’s no wonder 3 Pope Paul VI asked publicly in a 1969 audience:

“How can we celebrate this new rite when we have not yet got a complete missal, and there are still so many uncertainties about what to do?”

If we possessed video recordings of what happened during the period of 1970-1975 we would be shocked. Anyway, the final book 4 to be published (in 1974!) was the Roman Gradual, but even then, it was only available with Latin rubrics. A version with English rubrics wouldn’t be published until 1990.

Obviously, the fact that no Revised Gradual was available until 1974 had a severely detrimental effect on the ability of Catholics to “sing the Mass.” It really was a death blow, and perhaps this partially explains a statement by Msgr. Francis P. Schmitt. I can’t remember the exact quote, but he basically said Catholic liturgical music couldn’t be saved in the 1970s “because by that point, there was nothing left to save.”

Catholics have begun to realize the extent to which we’ve been “ripped off,” and we’re trying to rebuild … but it won’t be easy. Recent examples of efforts in the right direction would include the Lalemant Propers and Solesmes Gregorian Missal (courtesy of the CMAA).

… And don’t forget!   Very soon, we will make an important announcement about the Roman Gradual in English.  Make sure you hear about it before anybody else.

782 Graduale Romanum 1974

 

NOTES FROM THIS ARTICLE:

1   Pope Paul VI wanted the Introit and Communion antiphons revised “for greater intelligibility.” Perhaps he was thinking of the Introit Gaudete, since that Introit is not a “complete sentence.” However, the reformers ended up annihilating and replacing many propers. No one knows why this was allowed to happen.

2   To date, only four people in the universe actually know how to use the Ordo Cantus Missae, and one of them is Steven Van Roode, who wasn’t even born until decades after Vatican II ended!

3   I own a Lectionary from one of the big publishers that has this message in the front cover. In this same book, somebody has gone through and crossed out every instance of HE, HIS, or HIM and replaced it with something else. Does anyone have a complete 1970 organ accompaniment to the Responsorial Psalms? If not, what did people use back then? Does anyone know? Did they just speak the Responsorial Psalm until musical collections were published?

4   Solesmes cannot really be blamed for this. As a printing house, they needed to make sure the reformers were finished tinkering with the liturgy before going to the trouble of producing a quality book.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured Tagged With: Graduale Romanum Roman Gradual Propers Last Updated: August 25, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Only against this background, of the effective denial of the authority of Trent, can one understand the bitterness of the struggle against allowing the celebration of Mass according to the 1962 Missal after the liturgical reform. The possibility of so celebrating constitutes the strongest, and thus (for them) the most intolerable contradiction of the opinion of those who believe that the faith in the Eucharist, as formulated by Trent, has lost its validity.”

— Cardinal Ratzinger, 2001

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