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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Josef Hofmann Pianist Extraordinaire

Jeff Ostrowski · December 6, 2024

PDF Download • “Musical Outline” for the Feast of Our Lady’s Immaculate Conception

Rachmaninoff said: “Nine hours? That’s nothing. For a period of my life, I used to practice 17 hours a day.”

Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

Jeff Ostrowski · November 12, 2023

(14 Examples) • Jeff Ostrowski’s Artistic “Credo”

Including several hymns eminently suitable for the feast of Christ the King.

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Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Jeff Ostrowski · July 25, 2023

Splendid Repertoire for (Reduced) Summer Choirs!

Here’s a technique you must try with your choir.

Jeff Ostrowski · April 22, 2023

PDF Download • Draft Copy — “2023 Symposium Booklet” (320 Pages)

I will never forget standing in that green room, waiting to go on stage.

Jeff Ostrowski · October 6, 2022

“Bravery!” • Schola Director Posts ‘Live’ Recording

“The portable organ shall be lowered into the quire to accompany the singers, who shall sing solos in their order of seniority…” —1604 document

Jeff Ostrowski · February 8, 2022

Ruth Slenczynska & “Traditionis Custodes”

Bishop Arthur Roche recently sent out puzzling instructions which encourage “Ordinary Form” Catholics to ostracize and belittle those who prefer the Traditional Mass.

Jeff Ostrowski · November 1, 2021

A Deaf Composer? A Deaf Conductor?

When I’m sick with a cold, my hearing becomes clogged and I can’t hear properly—which is a choirmaster’s worst nightmare.

Jeff Ostrowski · October 27, 2020

ICEL added “Died” to the Nicene Creed • (I am not kidding!)

I bet you never noticed this, but here’s the proof! • Believe it or not, the Nicene Creed never says Our Lord “died,” and this article provides full documentation; also included are beautiful manuscript images from the greatest Dutch illuminated manuscript in the world: Catherine of Cleves Hours (15th century MS.)+

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Jeff Ostrowski · August 26, 2020

Josef Hofmann • “Pianist Par Excellence”

Anton Rubinstein, who hated child prodigies, called Josef Hofmann “the greatest musical genius the world has ever known.”

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Jeff Ostrowski · June 12, 2020

Recorded Music At Mass?

Lorin Maazel was conducting major orchestras at the tender age of eight.

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Jeff Ostrowski · April 22, 2019

Josef Hofmann: “King of Pianists”

This excerpt from a 1980 radio interview with Abe Chasins proves I’m not crazy…

Jeff Ostrowski · March 4, 2019

“Lacuna” • An Actual One—Not A Fake One

Read these entries—and then tell me your head isn’t spinning!

Jeff Ostrowski · August 28, 2014

Why I No Longer Compose

When I observe our beautiful children, I realize that God is the True Artist.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

This was first breach in the walls of a fortress, centuries old, stoutly built, strong and robust, but no longer capable of responding to the spiritual needs of the age. [N.B. the “fortress” is a liturgy which nourished countless great saints.]

— Annibale Bugnini (19 March 1966)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

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