Views from the Choir Loft

Gregorian Chant

Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

Fr. David Friel · April 9, 2017

Square Note App

Bring your “Graduale Digitalum” wherever you go.

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Fr. David Friel · January 29, 2017

Conference Updates

Dunwoodie Chant Conference & Sacra Liturgia Milano

Fr. David Friel · January 1, 2017

New Details on Dunwoodie Chant Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

Fr. David Friel · September 25, 2016

Turning Off the Air Conditioning

Taking Advantage of the Natural Beauty that Surrounds Us

Fr. David Friel · September 23, 2016

Dunwoodie Sponsors New Sacred Music Conference

“Gregorian Chant in Pastoral Ministry and Religious Education” — March 10 & 11, 2017

Fr. David Friel · June 22, 2016

Colloquium 2016 • Day 2

Explanatory Images from Wilko Brouwers

Fr. David Friel · May 22, 2016

Guide for Large-Scale Celebrations

10 Points from a Newly Translated Document

Fr. David Friel · May 24, 2015

A Mini History of the Sequences

At the height of their usage, there were proper sequences for nearly every Sunday and feast day.

Veronica Brandt · May 2, 2015

Taking the easy way out, relatively speaking

Starting a collection of easier propers for the Extraordinary Form. A pair of Alleluias and two Offertory antiphons to start the ball rolling.

Veronica Brandt · March 14, 2015

Gems in Latin and English

Five books providing our treasured Latin hymns with English translations to help you sing with understanding.

Fr. David Friel · November 16, 2014

Colloquium Friends & Chant Workshops

“Adventus Dona” in the Diocese of San Diego

Fr. David Friel · November 12, 2014

Restoring A Sense of the Sacred to the Mass

A Great Article over at One Peter Five

PDF • “Music List” (Sunday, 28 December)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Holy Family of Jesus, Mary, & Joseph (28 Dec. 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon are particularly gorgeous. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

PDF • “Music List” (Xmas Midnight Mass)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Christmas Midnight Mass (“Ad Missam In Nocte”). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is simple, but quite beautiful. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

PDF • “Music List” (4th Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 21 December 2025, which is the 4th Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is the famous “Roráte Coeli” and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

PDF Download • “In Paradisum” in English

We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.

—Jeff Ostrowski

What does this mean? “Pre-Urbanite”

Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.

—Jeff Ostrowski

PDF Download • “Santo Santo Santo”

Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.

—Jeff Ostrowski