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Views from the Choir Loft

Restoring A Sense of the Sacred to the Mass

Fr. David Friel · November 12, 2014

F YOU HAVEN’T taken notice yet of the great things happening over at One Peter Five, you should. Only a few months into their blog, their extensive pool of contributors has already posted a great number of interesting articles in various fields related to the life of the Church.

One article, in particular, will interest readers of Views from the Choir Loft. It’s title is “Restoring a Sense of the Sacred to the Mass.” The piece is written by Brian Williams, a convert who is raising his family in North Carolina and whose work is also available on his own blog (LiturgyGuy.com).

This encouraging article highlights the resurging focus we are experiencing on three crucial aspects of reverent liturgy: Latin, chant, and incense. This is a very simple recipe for reviving sacrality in our worship. Here is a look at the opening of Williams’ article:

In October 1966, less than a year after the conclusion of the Second Vatican Council, philosopher and eminent Catholic theologian Dietrich Von Hildebrand asked whether or not we are better prepared to “meet Christ in the Mass by soaring up to Him, or by dragging Him down into our own pedestrian, workaday world” (The Case for the Latin Mass, Triumph Magazine, October 1966). For nearly fifty years the Church has been struggling to address this question. . . . In the ongoing effort to recover this “mystical element” within the liturgy, the Church has been returning to such venerable practices as the use of Latin, chant and incense during the Holy Mass. Establishing a sense of awe through such tangible means has also helped to diminish the anthropocentric tendency so prevalent in the post-conciliar liturgy.

Read the whole article here: Restoring a Sense of the Sacred to the Mass.

I look forward to reading much more from the authors over at One Peter Five!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Gregorian Chant, Latin, Reform of the Reform Last Updated: January 1, 2020

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Fr. David Friel

About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at St. Anselm Parish in Northeast Philly. He is currently a doctoral candidate in liturgical theology at The Catholic University of America.—(Read full biography).

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Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

Ronald Knox explained why the Modernists do not compose hymns: “Birds of prey have no song.”

— Fr. George William Rutler (2016)

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