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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Restoring A Sense of the Sacred to the Mass

Fr. David Friel · November 12, 2014

F YOU HAVEN’T taken notice yet of the great things happening over at One Peter Five, you should. Only a few months into their blog, their extensive pool of contributors has already posted a great number of interesting articles in various fields related to the life of the Church.

One article, in particular, will interest readers of Views from the Choir Loft. It’s title is “Restoring a Sense of the Sacred to the Mass.” The piece is written by Brian Williams, a convert who is raising his family in North Carolina and whose work is also available on his own blog (LiturgyGuy.com).

This encouraging article highlights the resurging focus we are experiencing on three crucial aspects of reverent liturgy: Latin, chant, and incense. This is a very simple recipe for reviving sacrality in our worship. Here is a look at the opening of Williams’ article:

In October 1966, less than a year after the conclusion of the Second Vatican Council, philosopher and eminent Catholic theologian Dietrich Von Hildebrand asked whether or not we are better prepared to “meet Christ in the Mass by soaring up to Him, or by dragging Him down into our own pedestrian, workaday world” (The Case for the Latin Mass, Triumph Magazine, October 1966). For nearly fifty years the Church has been struggling to address this question. . . . In the ongoing effort to recover this “mystical element” within the liturgy, the Church has been returning to such venerable practices as the use of Latin, chant and incense during the Holy Mass. Establishing a sense of awe through such tangible means has also helped to diminish the anthropocentric tendency so prevalent in the post-conciliar liturgy.

Read the whole article here: Restoring a Sense of the Sacred to the Mass.

I look forward to reading much more from the authors over at One Peter Five!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Authentic Liturgical Renewal Reform, Gregorian Chant, Latin, Reform of the Reform Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The replies to this committee (of which Mgr Bugnini was the secretary) reveal a desire to reform the liturgy. In what sense? Out of 2,109 responses from bishops, just three expressed the desire to restore Communion under both kinds. There was a sizable demand for limited use of the vernacular, but only one French bishop wanted the entire Mass in French.”

— Fr. Dominic Allain (2019)

Recent Posts

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  • Music Director Job • $80,000 per year
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