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Views from the Choir Loft

Is Recorded Music Okay for Children?

Fr. David Friel · July 27, 2014

Y NOSE HAS BEEN buried in Sing to the Lord lately as part of a research project on which I am working. In 2007, the USCCB promulgated Sing to the Lord: Music in Divine Worship (SttL) as a replacement for the twin documents, Music in Catholic Worship and Liturgical Music Today. To say that the new document is an improvement would be an understatement, but it is not an ideal text, either.

Two weeks ago, speaking about the Children’s Liturgy of the Word, I took issue with the prevalent notion that young people somehow need to be accommodated in the work of divine worship. As a former child, I find this to be an errant hankering—a perspective that is often well-intentioned, but fundamentally condescending and lacking in foresight. True, St. Paul advises feeding first with fluids, preparing the way for solid food (1 Corinthians 3:2). But the admonition is to serve milk (real food), not plastic fruit.

This all came to mind as I read paragraphs 93-94 in Sing to the Lord. These are the paragraphs in which the US Bishops deal with recorded music. The section begins well:

Recorded music lacks the authenticity provided by a living liturgical assembly gathered for the Sacred Liturgy. While recorded music might be used advantageously outside the Liturgy as an aid in the teaching of new music, it should not, as a general norm, be used within the Liturgy. (SttL #93)

Had the section stopped there, I would have been content. But in the next paragraph, one reads this:

Some exceptions to this principle should be noted. Recorded music may be used to accompany the community’s song during a procession outside and, when used carefully, in Masses with children. (SttL #94)

Having just acknowledged that canned music “lacks the authenticity” required by the sacred liturgy, why is a caveat provided for “Masses with children”? Are children not worthy of the best forms of liturgy? Having just rightly identified the inappropriateness of recorded music, why is its “careful use” proposed as acceptable when children are in tow?

In his commentary on SttL, Fr. Dennis Gill says it well:

Recorded music should not be used in the celebration of the Sacred Liturgy… It is not the voice of the believer, the voice of the worshiper and, as such, is always inappropriate in the course of the celebration of the Eucharist, the other Sacraments, and the Liturgy of the Hours… Even in cases identified in Sing to the Lord when recorded music seems advisable, like outdoor processions, every effort should be made to actually sing in those circumstances. 1

These pages have demonstrated numerous times before that children respond very well to true sacred music. (For example, see this—Our Lady of the Atonement I, this—Our Lady of the Atonement II, this—Gregory the Great Academy, and this—Youth in Favor of Sacred Music.) If you have never experienced it for yourself, try it out. Children take naturally to chant, and there are so many resources available for teaching it to them. It is time to put the Glory & Praise cassette tapes away and to bust out the Ward method books. If you want to get started, I highly recommend checking out the work of Maestro Wilko Brouwers, the Words with Wings series available from CMAA.

It is so much more rewarding to challenge children to chant than to settle for the crudeness (and hoakiness and banality and utility and frivolity) of recorded music.




NOTES FROM THIS ARTICLE:

1   Gerard Dennis Gill, Music in Catholic Liturgy: A Pastoral and Theological Companion to Sing to the Lord (Mundelein, IL: Hillenbrand Books, 2009), 29.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Gregorian Chant, Justine Bayard Ward Method of Singing, Our Lady Of The Atonement Academy, Resources for training in Church music, USCCB Sing to the Lord Document on Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia and teaches liturgy at St. Charles Borromeo Seminary.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
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    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
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Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

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