Views from the Choir Loft

USCCB Sing to the Lord Document on Music

Fr. David Friel · December 23, 2018

New Chair of Sacred Music at US Seminary

Dr. Nathan Knutson will inaugurate this new position.

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Fr. David Friel · January 11, 2015

What to Do with Musicam Sacram

Does the 1967 Instruction on Music in the Liturgy have any relevance today?

Fr. David Friel · December 21, 2014

Progressive Solemnity

A Reverse Concept?

Fr. David Friel · July 27, 2014

Is Recorded Music Okay for Children?

There is a prevalent notion that young people somehow need to be accommodated in the work of divine worship. As a former child, I find this to be an errant hankering.

Jeff Ostrowski · March 17, 2014

Gregorian Chant As A “Weapon” — Seriously?

A drafter of USCCB guidelines on church music has said: “Some individuals and organizations seemingly use chant as a weapon to advance their agenda and judge others.”

Jeff Ostrowski · December 17, 2013

Reason #6634 “Sing To The Lord” Was Not Submitted To Rome For Approval

Why should something invented in 1968 be “preferred” to the immemorial tradition of the Catholic Church?

Richard J. Clark · May 31, 2013

Decisions, Decisions…Progressive Solemnity, and Who Gets to Decide?

The Mass is a sung prayer and our greatest prayer. As such, it is not our goal to “make” something happen in liturgy. Only God can do that. Any role we have is God’s gift of grace to us. The sooner we understand that, the better we will fulfill our ministry and mission.

Richard J. Clark · May 24, 2013

Surprise! Musical Hierarchy in “Sing to the Lord: Music in Divine Worship”

The priorities of what we should sing at mass are full of surprises for some. I hope in the end that the greater “surprise” will be in how our prayer is formed by what we sing. I hope this will be the most pleasant surprise of all.

Simplest “Agnus Dei” Ever Published

Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.

—Jeff Ostrowski

14th Sunday in Ordinary Time (Year C)

Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.

—Jeff Ostrowski

Bugnini’s Statement (6 November 1966)

With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed