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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

New Chair of Sacred Music at US Seminary

Fr. David Friel · December 23, 2018

EMINARIES and cathedrals are supposed to be models of liturgical practice for parishes throughout the diocese. This is true, especially, in the domain of sacred music. The music programs at such institutions ought to be exemplary and truly worthy of emulation.

Sacrosanctum Concilium is very clear on these points. Regarding seminaries, the constitution says:

Great importance is to be attached to the teaching and practice of music in seminaries, in the novitiates and houses of study of religious of both sexes, and also in other Catholic institutions and schools. To impart this instruction, teachers are to be carefully trained and put in charge of the teaching of sacred music. (SC, no. 115)

With respect to cathedrals, Sacrosanctum Concilium has this to say:

All should hold in great esteem the liturgical life of the diocese centered around the bishop, especially in his cathedral church; they must be convinced that the pre-eminent manifestation of the Church consists in the full active participation of all God’s holy people in these liturgical celebrations, especially in the same Eucharist, in a single prayer, at one altar, at which there presides the bishop surrounded by his college of priests and by his ministers. (SC, no. 41)

The treasure of sacred music is to be preserved and fostered with great care. Choirs must be diligently promoted, especially in cathedral churches. (SC, no. 114)

Numerous other church documents make the same points (e.g., Tra le sollecitudini, nos. 4, 25-26, and 29; Musicam sacram, nos. 19 & 49; and Sing to the Lord, no. 16).

It is no secret, however, that seminaries and cathedrals are not always home to that musical excellence which should be part of their mission. This is not a new problem.

In a 1903 letter accompanying Tra le sollecitudini, written by Pope St. Pius X to Cardinal Respighi, then-Vicar General of Rome, the pontiff observes:

We desire that sacred music be cultivated with special care and in the proper way in all the seminaries and ecclesiastical colleges of Rome. . . . We know, and We are greatly comforted by the knowledge, that in some institutions sacred music is in such a flourishing condition that it may serve as a model for others. But there are some seminaries and colleges which leave much to be desired owing to the carelessness of the superiors, or the want of capacity and the imperfect taste of the persons to whom the teaching of chant and the direction of sacred music is entrusted. You, Lord Cardinal, will be good enough to provide a remedy for this also with solicitude.

The growing number of seminaries today that are taking seriously the need for the musical formation of their students is, therefore, quite encouraging.

NE US SEMINARY recently demonstrated a praiseworthy commitment to robust musical formation through the foundation of a new chair of sacred music. Named in honor of a long-time benefactor, the establishment of the Lucille M. Francesco Chair in Sacred Music was announced by St. Charles Borromeo Seminary in Philadelphia at its annual open house & Christmas concert (video here) earlier this month.

The first holder of this chair will be Dr. Nathan Knutson, D.S.M., M.M., Obl.S.B., the current Director of Sacred Music at the seminary. Formerly music director at the Cathedral of the Holy Trinity in the Diocese of New Ulm, Minnesota, Knutson holds a doctorate in sacred music from the Graduate Theological Foundation and a masters in music from the Cleveland Institute of Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Sacrosanctum Concilium, USCCB Sing to the Lord Document on Music Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia and teaches liturgy at St. Charles Borromeo Seminary.—(Read full biography).

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    26 January 2023 • FEEDBACK
    “Jeff, I wanted to personally thank you for your spiritual witness at the Symposium & often blogs that you write too. Praying that prayer in the mornings My God, my Father and my all (by Cardinal Merry Del Val), mentioning saints’ stories of Brébeuf, Jogues, John Vianney, monks who fought in WWII, their hard work in spite of terrible conditions, their relentless zeal for the faith, their genuine love for the laypeople they served, etc. Overall though—more than anything concrete I can point to that you did or said—it was your demeanor at the Symposium. I could tell you really absolutely love and believe the Catholic Faith. You don’t get that everywhere, even in Church circles. And your humility is what then makes that shine even brighter. It is super inspiring! God is working through you probably way more than you know.”
    —Jeff Ostrowski
    Symposium Draft Schedule Released!
    Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you'll hear announcements before anyone else. (It’s incredibly easy to subscribe to our mailing list; just scroll to the bottom of any blog article and enter your email address.)
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    Good Friday Polyphony by L. Senfl
    The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father Tomás Luis de Victoria (d. 1611). From what I can tell, Ludwig Senfl (d. 1543) was originally a Catholic priest, but eventually was seduced by Luther and ended up abandoning the sacred priesthood.
    —Jeff Ostrowski

Random Quote

Tournemire could be charming or he could bite your head off. One day I could not replace him at St. Clotilde because I had a wedding to play at another church. Tournemire played on Sunday, period—that was all. He did not play weddings and so forth. (He put all that on my back.) So I went to Tournemire’s house to tell him, “Master, I am sorry but, for once, I cannot replace you. I have another obligation to fulfill.” He said, “Get out of here!” I left for good.

— Testimony of Maurice Duruflé

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