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Corpus Christi Watershed

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Views from the Choir Loft

Giovanni Pierluigi da Palestrina

Jeff Ostrowski · October 31, 2023

PDF Download • “Choral Warm-Up” by Jeff Ostrowski (after Morley)

The “SSS” technique, known by every great singer. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Dr. Charles Weaver · August 9, 2023

PDF Download • Palestrina’s Most Famous Mass Simplified

“I find Anerio’s work here to be excellent, and I hope you do as well.” —Dr. Charles Weaver

Jeff Ostrowski · May 6, 2023

PDF Download • “Brief Choral Alleluia” (Suitable for the Ordinary and Extraordinary Form)

Too many priests are ignorant of the glories of authentic sacred music.

Jeff Ostrowski · December 19, 2022

J.S. Bach “Alleluia” • Director Posts Live Recording!

Our singers really love this one…

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Jeff Ostrowski · August 6, 2020

Allowed or Forbidden? • Parallel Fourths in Renaissance Polyphony

Article Subtitle: “Brave schola director posts live recording from rehearsal.”

Follow the Discussion on Facebook

Jeff Ostrowski · January 15, 2020

What Palestrina Did With Kyrie II (“Fons Bonitatis”)

Many erroneously believe the Kyrie was the only thing troped, but that’s not even close to true.

Follow the Discussion on Facebook

Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

Jeff Ostrowski · March 12, 2016

PDF Download • Spanish Cathedral Music (1961)

“On Holy Saturday in 1545, while the pope and several cardinals were present, two of the oldest choir members flew at each other during the blessing of the new oils…”

Jeff Ostrowski · August 25, 2015

SATB “Alleluia” By Palestrina • Brief, Easy, & Sumptuous

I dare you NOT to immediately assign this piece to your choir!

Jeff Ostrowski · April 14, 2015

Should Church Singers Be Paid?

Practice Videos for KYRIE “Impleta Sunt”—based on a piece by Giovanni Pierluigi da Palestrina.

Jeff Ostrowski · February 10, 2015

Teaching Polyphony To Singers Who Can’t Read Music

Your singers can’t read music? No problem!

Jeff Ostrowski · February 3, 2015

Palestrina “O Crux Ave” • Practice Videos

I’ve been yearning to sing this piece since 2002.

Jeff Ostrowski · January 27, 2015

PDF Download: Eucharistic Verset By Palestrina

Your more advanced singers will love this piece by Palestrina!

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Corpus Christi Watershed

President’s Corner

    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski
    “Music List” • Pentecost Sunday
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for Pentecost Sunday (8 June 2025). If such a thing interests you, feel free to download it as a PDF file. Because our choir is on break this week, the music is relatively simple.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday
  • “Participation” • Recovering its Receptive Dimension

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