Views from the Choir Loft

Beauty

Fr. David Friel · June 15, 2014

Gregory the Great Academy

An Interview with Matt Williams

Fr. David Friel · March 30, 2014

Saints Who Were Artists

A Catalog

Fr. David Friel · March 23, 2014

Secular Architecture

Reneging on the Promise of Public Art

Fr. David Friel · March 16, 2014

Being Amazed

The Fullness of Beauty

Fr. David Friel · February 23, 2014

St. Therese on Beauty

The Divine Artist of souls is pleased when we do not stop at the exterior.

Fr. David Friel · February 16, 2014

Movie Review: The Monuments Men

Not Great Art, Itself, But Nevertheless Thought-Provoking

Fr. David Friel · January 24, 2014

The Art of the Beautiful Lecture Series

Professor Anthony Esolen Presents: “Love & Artistic Genesis”

Fr. David Friel · January 12, 2014

The International Institute for Culture

“For the Love of Music” Series

Fr. David Friel · December 29, 2013

Singing as a Work of Mercy

The Doylestown Comfort Choir

Fr. David Friel · December 1, 2013

Chant Behind Bars

Might Chant Scholas Flourish in Prisons?

Fr. David Friel · November 17, 2013

Must Art Be Permanent?

A Thought from Evelyn Waugh

Fr. David Friel · October 27, 2013

Gerard Manley Hopkins & Beauty

Pondering Papal Poetic Preferences

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).

—Jeff Ostrowski

PDF • “Music List” (1st Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Music List” • Christ the King Sunday

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Reminder” — Month of November (2025)

On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.

—Jeff Ostrowski

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski