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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Beauty

Fr. David Friel · August 28, 2016

On the Spirit of Conservation

A Reflection on the National Parks, Sacred Architecture, and “Laudato Si”

Fr. David Friel · August 21, 2016

Essence, Form, Experience

Fourth Annual Art of the Beautiful Lecture Series

Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

Fr. David Friel · October 25, 2015

Catholic Artists Society 1

The Art of the Beautiful Lecture Series 2015-2016

Fr. David Friel · July 27, 2015

The Church of Our Savior

And the Case of the Vanishing Icons

Richard J. Clark · June 5, 2015

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

Dancing on the Edge with Truth and Beauty

“I encourage you to make music at the highest levels possible in your parishes. Our people deserve it and our God is worthy of the highest forms of praise.” — John Romeri

Fr. David Friel · June 3, 2015

Sacra Liturgia 2015 — Update II

Fourteen (14) practical ideas for how a priest might transform his celebration of the Ordinary Form

Veronica Brandt · April 11, 2015

How did your Holy Week go?

Singing for the Sacred Triduum and Easter ceremonies is an awesome privilege. Coming out the other side can be very sweet indeed, even when things didn’t always go quite as planned.

Fr. David Friel · March 8, 2015

The Problem of Beauty

An Intriguing Argument for the Existence of God

Fr. David Friel · March 1, 2015

Basking in Beauty’s Glow

Taking the Time to Ponder

Fr. David Friel · January 18, 2015

Praise of God Demands Song

Impromptu Address of His Holiness Benedict XVI to the Members of the Pontifical “Sistine” Choir

Fr. David Friel · November 30, 2014

Three Years Later

Blessings of the New Translation of the Roman Missal, Third Typical Edition

Fr. David Friel · November 9, 2014

Sacred Architecture & the Dedication of the Lateran Basilica

When we come to church, there should be no question whether we are in a church or in a coffeehouse or in a multipurpose gym.

Fr. David Friel · August 31, 2014

Liturgy vs. Social Justice

A Classic Case of the Catholic “Both/And”

Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

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Corpus Christi Watershed

President’s Corner

    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski
    Simplified Accompaniment (Epiphany Hymn)
    About a month ago, I created a simplified keyboard accompaniment for “Come, Thou Long-Expected Jesus”—the famous ADVENT hymn—using a melody called CROSS OF JESUS. It was soon downloaded more than 1,000 times. As of this morning, you can download a simplified keyboard accompaniment for the belovèd Epiphany hymn “Bethlehem! Of noblest cities” (O Sola Magnarum Urbium) by clicking on this link (PDF file). Many organists are forced to serve simultaneously as both CANTOR and ACCOMPANIST. In spite of what some claim, this can be difficult, which explains why choirmasters appreciate these simplified keyboard accompaniments.
    —Jeff Ostrowski
    Psalm Tone Challenge!
    Many readers know that Tone 1a3 is the most difficult PSALM TONE in the 1962 books (and isn’t called for very often). But what about very short verses—which is the absolute most concise you know? The shortest PSALM TONE segment I know would be the fourth verse (PDF) from Psalm 44, used during Matins at Christmas. It’s literally one word long. If you know a more minuscule one, please email me!
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski
    PDF Download • “Santo Santo Santo”
    Those searching for a dignified, brief, simple, bright setting of SANCTUS in Spanish (“Santo Santo Santo”) are invited to download this Setting in honor of Saint John Brébeuf (organist & vocalist). I wonder if there would be any interest in me recording a rehearsal video for this piece.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • “Puer Natus in Béthlehem” • (Added Fifths)
  • Epiphany Hymn • “New 2-Voice Arrangement”
  • How Does The Vatican “Rhythm” Actually Sound?
  • Simplified Accompaniment (Epiphany Hymn)
  • “Adeste Fideles” • Too Many Translations!

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