• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Search Results for: simple english propers

A Challenge for the “Big Three” — Is there a Market for the Propers?

Richard J. Clark · November 29, 2013

I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.

Filed Under: Articles Tagged With: Propers, Singing the Mass Last Updated: January 1, 2020

Graduale Simplex, Archbishop Bugnini, And More

Jeff Ostrowski · September 10, 2013

I’m reminded of my years as a high school teacher. There were always 5-6 parents who had too much time on their hands, and they pestered the administration for changes.

Filed Under: Articles Tagged With: Graduale Simplex, Hymns Replacing Propers Last Updated: October 12, 2022

Ordo Cantus Missae — English Translations

Jeff Ostrowski · July 29, 2013

Who should start the “Glory to God” at Mass? Who should intone the Gloria? Ordinary Form.

Filed Under: Articles Tagged With: Bugnini ORDO CANTUS MISSAE, Ordinary Form Ordo Cantus Missæ, Ordo Cantus Missae, ORDO CANTUS MISSAE NOVUS ORDO Last Updated: September 29, 2023

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Jeff Ostrowski · July 23, 2024

Including ten (10) alternate versions!

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Rev Fr Adrian Fortescue Liturgy Last Updated: July 24, 2024

Live Recording • “Entrance Chant” (14th Sunday in Ordinary Time, Year B)

Jeff Ostrowski · July 9, 2024

In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Mass Propers Proprium Missae, Suscepimus Introit Last Updated: July 9, 2024

PDF Download • “Entrance Chant” — 14th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · July 4, 2024

I’d love to hear you sing this!

Filed Under: Articles, PDF Download Tagged With: 14th Sunday in Ordinary Time, Anaphora, Cantatorium For Soloists, Cardinal Ferdinando Giuseppe Antonelli OFM, Chaumonot Composers Group, Entrance Chant from Roman Gradual, Evangeliarium, Louis Bouyer Oratorian Priest, Mass Propers Proprium Missae, Simple English Mass Propers, St John Gradual Archdiocese of Boston, Urbanite Hymn Reform Last Updated: July 7, 2024

Antiphons Vs. Hymns • A “Both/And” Church

Richard J. Clark · September 21, 2023

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Filed Under: Articles Last Updated: September 25, 2023

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Jeff Ostrowski · August 23, 2020

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, Missal Antiphons Dont Match Roman Gradual, Propers Ignatius Press by Fr Samuel Weber, Samuel Weber Propers, St Isaac Jogues Illuminated Missal, Sung Vs Spoken Propers Novus Ordo Last Updated: December 20, 2024

Clarity! • Missal vs. Gradual Text (Ordinary Form)

Jeff Ostrowski · August 19, 2020

If this problem is to be solved, we must first understand it.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, THE ADALBERT PROPERS Last Updated: January 18, 2025

Reopening our Churches – Encouragement – Resources

Richard J. Clark · May 22, 2020

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As churches are working towards reopening, it is also no small change for many to concede congregational singing and choirs of any size. So many musicians have already sacrificed so much, spiritually, artistically, and economically.

Filed Under: Articles Last Updated: May 23, 2020

Announcing: Saint Rita Choral Academy!

Dr. Lucas Tappan · July 30, 2019

The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese.

Filed Under: Articles Last Updated: January 1, 2020

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

A new website seeks to record the full Gregorian propers each week using a treble voice.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Guest Author · April 6, 2016

Praising our Extraordinary God in the Ordinary Form

Filed Under: Articles Last Updated: January 1, 2020

Bishop Doerfler’s Stunning Church Music Letter

Jeff Ostrowski · March 31, 2016

“All parishes and schools are to have implemented the following directives by December 31, 2020.” —Bishop Doerfler.

Filed Under: Articles Tagged With: Bishop John Doerfler Sacred Music Last Updated: January 1, 2020

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Interim pages omitted …
  • Page 9
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Church officials frequently asked Tomás Luis de Victoria for his opinion on cathedral appointments because of his fame and knowledge. He was faithful to his position as convent organist even after his professional debut as an organist, and never accepted any extra pay for being a chapelmaster. Held in great esteem, his contract allowed him frequent travel away from the convent, and he attended Palestrina’s funeral (in Rome) in 1594.”

— ‘Dr. Robert Stevenson, 1961 (mod.)’

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.