• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Search Results for: simple english propers

A Challenge for the “Big Three” — Is there a Market for the Propers?

Richard J. Clark · November 29, 2013

I have a challenge to the “Big Three” publishers. The propers are the new frontier of liturgical composition. I propose that they get ahead of the curve now.

Filed Under: Articles Tagged With: Propers, Singing the Mass Last Updated: January 1, 2020

Graduale Simplex, Archbishop Bugnini, And More

Jeff Ostrowski · September 10, 2013

I’m reminded of my years as a high school teacher. There were always 5-6 parents who had too much time on their hands, and they pestered the administration for changes.

Filed Under: Articles Tagged With: Graduale Simplex, Hymns Replacing Propers Last Updated: October 12, 2022

Ordo Cantus Missae — English Translations

Jeff Ostrowski · July 29, 2013

Who should start the “Glory to God” at Mass? Who should intone the Gloria? Ordinary Form.

Filed Under: Articles Tagged With: Bugnini ORDO CANTUS MISSAE, Ordinary Form Ordo Cantus Missæ, Ordo Cantus Missae, ORDO CANTUS MISSAE NOVUS ORDO Last Updated: September 29, 2023

Introducing the Lalemant Propers (391 Pages) — Free Download !

Jeff Ostrowski · April 23, 2013

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

Filed Under: Articles, PDF Download Last Updated: January 13, 2020

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Jeff Ostrowski · July 23, 2024

Including ten (10) alternate versions!

Filed Under: Articles, PDF Download Tagged With: Carmen Gregorianum, Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Rev Fr Adrian Fortescue Liturgy Last Updated: July 24, 2024

Live Recording • “Entrance Chant” (14th Sunday in Ordinary Time, Year B)

Jeff Ostrowski · July 9, 2024

In the 1970s, some musicians felt that annihilating the Mass propers would lead to “freedom”—but the opposite was true.

Filed Under: Articles, PDF Download Tagged With: Chaumonot Composers Group, Chaumonot Entrance Chant Collection, Mass Propers Proprium Missae, Suscepimus Introit Last Updated: July 9, 2024

PDF Download • “Entrance Chant” — 14th Sunday in Ordinary Time (Year B)

Jeff Ostrowski · July 4, 2024

I’d love to hear you sing this!

Filed Under: Articles, PDF Download Tagged With: 14th Sunday in Ordinary Time, Anaphora, Cantatorium For Soloists, Cardinal Ferdinando Giuseppe Antonelli OFM, Chaumonot Composers Group, Entrance Chant from Roman Gradual, Evangeliarium, Louis Bouyer Oratorian Priest, Mass Propers Proprium Missae, Simple English Mass Propers, St John Gradual Archdiocese of Boston, Urbanite Hymn Reform Last Updated: July 7, 2024

Antiphons Vs. Hymns • A “Both/And” Church

Richard J. Clark · September 21, 2023

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Filed Under: Articles Last Updated: September 25, 2023

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Jeff Ostrowski · August 23, 2020

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, Missal Antiphons Dont Match Roman Gradual, Propers Ignatius Press by Fr Samuel Weber, Samuel Weber Propers, St Isaac Jogues Illuminated Missal, Sung Vs Spoken Propers Novus Ordo Last Updated: December 20, 2024

Clarity! • Missal vs. Gradual Text (Ordinary Form)

Jeff Ostrowski · August 19, 2020

If this problem is to be solved, we must first understand it.

Follow the Discussion on Facebook

Filed Under: Articles Tagged With: Father Adalbert Franquesa Garrós, Graduale Romanum Roman Gradual Propers, THE ADALBERT PROPERS Last Updated: January 18, 2025

Reopening our Churches – Encouragement – Resources

Richard J. Clark · May 22, 2020

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

As churches are working towards reopening, it is also no small change for many to concede congregational singing and choirs of any size. So many musicians have already sacrificed so much, spiritually, artistically, and economically.

Filed Under: Articles Last Updated: May 23, 2020

Announcing: Saint Rita Choral Academy!

Dr. Lucas Tappan · July 30, 2019

The parish’s new venture, the St. Rita Choral Academy, is the brainchild of Dr. Alfred Calabrese.

Filed Under: Articles Last Updated: January 1, 2020

New Resource! • Chant Videos for Treble Voices

Fr. David Friel · February 23, 2019

A new website seeks to record the full Gregorian propers each week using a treble voice.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Extraordinary Form 1962 Missal, Gregorian Chant, Liturgy For Children, Resources for training in Church music Last Updated: January 1, 2020

Musical and Liturgical Life at the St. Lawrence Catholic Campus Center

Guest Author · April 6, 2016

Praising our Extraordinary God in the Ordinary Form

Filed Under: Articles Last Updated: January 1, 2020

Bishop Doerfler’s Stunning Church Music Letter

Jeff Ostrowski · March 31, 2016

“All parishes and schools are to have implemented the following directives by December 31, 2020.” —Bishop Doerfler.

Filed Under: Articles Tagged With: Bishop John Doerfler Sacred Music Last Updated: January 1, 2020

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Interim pages omitted …
  • Page 9
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    (Part 2) • Did they simplify this hymn?
    Choirs love to sing the resplendent tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1929, I discovered what appears to be a simplified version of that hymn. Their harmonization is much less complex than the version found in the Father Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1929 harmonization (PDF) and let me know your thoughts. As always, the Germans added an organ INTRODUCTION. For the record, I posted a different harmonization a few months ago which was downloaded more than 2,000 times.
    —Jeff Ostrowski
    PDF • “Lectionary Comparison Chart”
    Various shell corporations (in an effort to make money selling Sacred Scripture) have tinkered with the LECTIONARY texts in a way that’s shameful. It’s no wonder Catholics in the pews know so few Bible passages by heart. Without authorization, these shell corporations pervert the official texts. Consider the Responsorial Psalm for the 1st Sunday of Advent (Year A). If you download this PDF comparison chart you’ll notice each country randomly omits certain sections. Such tinkering has gone on for 60+ years—and it’s reprehensible.
    —Corpus Christi Watershed
    Monsignor Klaus Gamber Speaks!
    An interesting quotation from the eminent liturgist, Monsignor Klaus Gamber (d. 1989): “According to canon law, a person’s affiliation with a particular liturgical rite is determined by that person’s rite of baptism. Given that the liturgical reforms of Pope Paul VI created a de facto new rite, one could assert that those among the faithful who were baptized according to the traditional Roman rite have the right to continue following that rite; just as priests who were ordained according to the traditional Ordo have the right to exercise the very rite that they were ordained to celebrate.”
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Oh, the happy choir director who is hired to start work on a brand new choir, or who walks into his first rehearsal a total stranger to the existing group—what a fortunate man he is! The new choir director who is a former member of the choir, or a member of the congregation, or the nephew of the alto soloist, or a former altar boy, or otherwise well acquainted with the choir, is in for a few headaches.”

— Paul Hume (1956)

Recent Posts

  • Children’s Repertoire • Mueller’s Recommendations
  • PDF Download • “Marian Antiphon Booklet” (4 pages) + Five Rhythmic Considerations
  • False Accusations
  • (Part 2) • Did they simplify this hymn?
  • PDF • “Lectionary Comparison Chart”

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.