Views from the Choir Loft

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Jeff Ostrowski · April 10, 2017

PDF Download • Booklet for Congregation

May I share a secret?

Jeff Ostrowski · March 21, 2017

Easter Hymn: “O Filii et Filiæ” • Contemporary setting (SATB)

Pardon my squeaky Soprano notes, but I wanted to demonstrate how it sounds! • A wonderful setting of the haunting “Easter Alleluia” based on a work by Monsignor Jules Van Nuffel.

Jeff Ostrowski · March 20, 2017

PDF Download • Booklet for St. Joseph (19 March)

The absolute best method for choosing starting pitches…

Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

Jeff Ostrowski · February 21, 2017

PDF Download • “Cantus Varii” (469 Pages)

The revolution continues!

Jeff Ostrowski · January 26, 2017

PDF Download • “Sing the Angelus” (Plainchant)

Can you think of a better way to begin your choir rehearsals?

Jeff Ostrowski · January 6, 2017

PDF Download • Epiphany Booklet (FSSP.la)

To match the ancient acrostic, Erasmus changed the first line to “Herodis Hostes.”

Andrew Leung · January 5, 2017

PDF Download • “Missa de Angelis” (Fr. Castro)

Fr. Áureo Castro’s setting alternates the chant melody and the choral parts.

Jeff Ostrowski · December 10, 2016

PDF Download • “Rorate Mass” Booklet

Including a video snippet taken in Los Angeles.

Jeff Ostrowski · December 8, 2016

PDF Download • Immac. Conception Music Booklet

Make sure to read the translation of the Offertory Hymn—so gorgeous!

Andrew Leung · November 24, 2016

Free Download • Simple Choral Midnight Mass Introit

A simple setting of “Dominus Dixit ad Me” by Fr. Áureo Castro.

Jeff Ostrowski · November 23, 2016

PDF Download • “Ordo Missæ” As We Use It

Do you provide something similar for your choirs?

Guest Author · October 27, 2016

PDF Download • “Mass of the Alabaster Jar” (2016)

These settings were written to be easily played by pianists and organists of an intermediate skill level.

Jeff Ostrowski · October 24, 2016

PDF Download • Rare Hymnal by Organist at the Birmingham Oratory (1913)

Download all 572 pages—thanks to Peter Meggison!

Jeff Ostrowski · October 18, 2016

Palestrina • Jaw-Dropping “Kyrie” based on a Hymn

Two generous young ladies, currently in high school, helped me record this gorgeous Kyrie.

Dr. Mahrt explains the ‘Spoken’ Propers

In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).

—Jeff Ostrowski

PDF • “Music List” (1st Sunday of Advent)

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Music List” • Christ the King Sunday

Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.

—Jeff Ostrowski

“Translations Approved for Liturgical Use”

According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.

—Corpus Christi Watershed

Gospel Options for 2 November (“All Souls”)

We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”

—Corpus Christi Watershed

“Our Father” • Musical Setting?

Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?

—Jeff Ostrowski