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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · September 20, 2023

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

My setting begins with the entire congregation singing—but the middle section is SATB polyphony.

Jeff Ostrowski · September 19, 2023

(Quiz) • “How Well Do You Know Your Hymns?”

Including a tip on preventing choirs from ‘sinking’ the pitch lower and lower.

Jeff Ostrowski · September 13, 2023

Eucharistic Hymn by the Archbishop of Canterbury

Using a favorite melody of Dr. Theodore Marier.

Jeff Ostrowski · September 5, 2023

Does It Make Sense to Alphabetize Hymnals?

Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”

Jeff Ostrowski · September 2, 2023

Are You A Professional? • (Am I One?)

Including a Eucharistic Hymn (#142) every Catholic should know!

Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

Jeff Ostrowski · August 23, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

We must remember the lesson of the rock.

Jeff Ostrowski · August 22, 2023

PDF Download • “Our Father” (SATB Version)

Today, I release another movement of the “Saint Noël Chabanel Mass Setting” (for use in the Ordinary Form).

Jeff Ostrowski · August 18, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form

As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.

Matthew Frederes · August 8, 2023

“Graduale Romanum” • Rare Edition from 1661 A. D.

Today we release an exceedingly rare 1661 edition of the Graduale Romanum, in high resolution and in full color!

Jeff Ostrowski · July 25, 2023

Splendid Repertoire for (Reduced) Summer Choirs!

Here’s a technique you must try with your choir.

Jeff Ostrowski · July 19, 2023

Gregorian Rhythm Wars • “Jeff’s Fourth Response to Patrick” (19 July 2023)

Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.

Jeff Ostrowski · July 13, 2023

PDF Download • 3-Voice “Agnus Dei” + Suggestions to Improve Music at Ordinary Form Masses

Should music at the Ordinary Form be identical to music at the Extraordinary Form?

Jeff Ostrowski · June 6, 2023

“Best & Worst Responses” • This Survey Was Responded To By 300+ Church Musicians

You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“Participation” in the Mass does not mean hearing our own voices. It means God hearing our voices. Only He knows who is “participating” at Mass. I believe, to compare small things with great, that I “participate” in a work of art when I study it and love it silently.

— Evelyn Waugh

Recent Posts

  • “Dies Irae” • A Monstrous Translation
  • PDF Download • “Holy, Holy, Holy”
  • Music List • (3rd Sunday of Lent)
  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)

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