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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

Corpus Christi Watershed · June 3, 2024

We’ve Heard From Sister Anne Flanagan, FSP!

Some believe this to be the Church’s most ancient 𝒗𝒆𝒓𝒏𝒂𝒄𝒖𝒍𝒂𝒓 melody.

Jeff Ostrowski · June 1, 2024

“Lauda Sion” (Sequence) • Too Lengthy, Or Not?

At the end of the American Civil War, nearly 33% of all currency in circulation was counterfeit.

Jeff Ostrowski · May 29, 2024

What Corrinne Did For Us!

A few days ago, our organization scanned and released…

Jeff Ostrowski · May 15, 2024

Documentation • “In the Olden Days, Was Vernacular Sung During Liturgical Services?”

Including a splendid harmonization of “Holy God, We Praise Thy Name.”

Follow the Discussion on Facebook

Jeff Ostrowski · April 14, 2024

PDF Download • “Freiburg Cathedral Hymnal” (Organ Accompaniment) — 308 Pages!

The most comprehensive German hymnal ever printed? Well, this masterpiece by Monsignor Stemmer is certainly in the top five!

Jeff Ostrowski · April 4, 2024

Jeff Ostrowski To Leave Los Angeles!

I believe Catholics have a right to attend Mass without being aurally assaulted.

Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

Jeff Ostrowski · March 26, 2024

Good Friday’s Dazzling (and Ancient) Hymn

Visit a random church on Sunday morning and ask parishioners basic questions…

Jeff Ostrowski · March 19, 2024

Church Music • “The Female Voice”

Msgr. Leo Manzetti foolishly wrote: “Church musicians, when experts in vocal art, agree that women’s voices are effeminate, sensuous, and operatic, hence un-churchly.”

Guest Author · February 8, 2024

Father Robbie Low: “The State of Catholic Music”

“Music has an immense part to play in this perception of the divine reality and the heavenward leanings of the soul.” —Fr Robbie Low

Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

Jeff Ostrowski · January 29, 2024

PDF Score • “Mass Setting I Wrote For Corrinne”

I demonstrate how the “Kyrie Eleison” can be adapted for use in the Extraordinary Form.

Jeff Ostrowski · January 26, 2024

Eucharistic Hymn With Gorgeous Tenor Line

Responding to an inquiry from Wendy Q.

Jeff Ostrowski · January 17, 2024

PDF Download • “Credo III + Polyphonic Extension”

When I just couldn’t take it anymore, I called up a friend on the telephone and paid him $150 to teach me.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“No one can reasonably find in the dispositions of Vatican II anything out of order, or any extreme opinions or tendencies which restrict the function of sacred music exclusively to the congregational singing of the faithful or on the other hand which replace or eliminate the singing of the congregation entirely by the singing of the choir.”

— Most Rev’d Archbishop D.M.M. y Gómez, Primate of Mexico (at that time, the world’s largest archdiocese)

Recent Posts

  • New Bulletin Article • “21 September 2025”
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  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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