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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Patrick Torsell · August 26, 2020

(Installment #1) “Catholic Hymnals” • Patrick Torsell

Five tips for rousing, inspiring hymn playing!

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Jeff Ostrowski · August 25, 2020

“Homily — 22nd Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

“Catholic teaching says we should pray for people who die. If we were sure they were in heaven, that wouldn’t be necessary—so let’s be consistent in our teaching.”

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Keven Smith · August 24, 2020

Quick Vocal Tip: Be Breathy, but Briefly

You’ll never meet a serious choral singer who strives for a breathy sound. But a little breathiness in warmups and personal practice can work wonders. 

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Jeff Ostrowski · August 23, 2020

Huge Discovery! (Not a Joke) • Re: “Gradual Antiphons vs. Missal Antiphons”

Last night I discovered something I never knew—so I immediately telephoned a priest to verify this.

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Veronica Moreno · August 22, 2020

Homeschool Snapshots: Take 2

A homeschooling mother offers a few verses that inspire her during the dark times of teaching, when cooperation is lacking and patience must grow. Hang them on your walls to remind you of God’s good graces.

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Jeff Ostrowski · August 21, 2020

“Secret Book of Happiness” • Official English Translations of the Roman Gradual

Overkill: “ too much of something; the amount by which destruction exceeds what is necessary.”

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Jeff Ostrowski · August 19, 2020

Clarity! • Missal vs. Gradual Text (Ordinary Form)

If this problem is to be solved, we must first understand it.

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Jeff Ostrowski · August 18, 2020

“Homily for the 12th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

“I considered myself privileged to be Pastor at one of the places in Houck, Arizona, where Saint Katherine Drexel built a church and grade school.”

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Keven Smith · August 17, 2020

Stress Relief Tip: Let Your Structure Do the Work

When was the last time you gave your muscles permission to relax and let your bones do their job?

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Fr. David Friel · August 17, 2020

Certificate in Sacred Music

Offered by the Saint Gregory Institute of Sacred Music in Pittsburgh, PA

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Jeff Ostrowski · August 14, 2020

“Homily — 20th Sunday in Ordinary Time, Year A” • Father Valentine Young, OFM

“I had a brother who was married outside the Church and had stopped going to Church for about thirty years…”

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Jeff Ostrowski · August 13, 2020

“Crown Him with Many Crowns” (Diademata) • Brébeuf Hymnal #752

Big news! They discovered why Franz Schubert’s “Unfinished Symphony” was never completed!

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Jeff Ostrowski · August 12, 2020

These kids are on fire! • “Victimæ Paschali Laudes” by Philippe Verdelot

I don’t know a more beautiful, gorgeous, memorable 15 seconds than the beginning of Part 2—stunning!

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Dr. Charles Weaver · August 11, 2020

“Plainchant in Two Parts” • (Guest Article by a Julliard Faculty Member)

Polyphonic settings from a thirteenth-century Italian convent teach us how we might add a second part to a piece of plainchant.

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Keven Smith · August 11, 2020

Why Are You a Church Musician, Anyway?

(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“The traditions of the elders, your glory throughout long ages, must not be belittled. Indeed, your manner of celebrating the choral office [in Latin] has been one of the chief reasons why these families of yours have lasted so long, and happily increased.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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