Views from the Choir Loft

Holy Mass During World War II • (9 April 1944)

Jeff Ostrowski · September 2, 2020

HE HOLY MASS on Easter Sunday “in the field” (9 April 1944). Written on reverse of photograph: “German troops included in American Easter services via loud-speaker! Hostilities ceased for one hour on this front-line sector during services, conducted by American troops and directed across the lines by specifically installed amplifiers. Here, Chaplain Leo J. Crowley says Mass to a group of soldiers who were close enough to leave their fox-holes to attend. (Italy, 9 April 1944)”

It reminds me of our parish at the moment. (Due to California’s Covid-19 regulations, we’re currently celebrating Mass in a huge tent outside the Church.) I’m afraid I don’t have a date for this one:

I don’t have a date for this one either, but notice how the server lifts the Chasuble of the priest for the Consecration of the SANCTISSIMUM:

This is from “The Great War” (photo taken 27 February 1916)—the Holy Mass for Italian troops on the frontlines:

There are many more photographs such as those, and this website is a great place to start.

Also: 01 02 03 04 05

Bonus Question:

Did you notice the guy playing keyboard?

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski

15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski

15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)