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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · December 23, 2020

PDF Download • “Creator Alme Siderum” with Organ Accompaniment

The Brébeuf Hymnal provides ancient (Roman Catholic) English translations of this hymn, but Eleanor Parker found versions in Anglo-Saxon!

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Jeff Ostrowski · December 22, 2020

“Improving As Musicians” • Eight Suggestions

Did you know I communicate with dead Catholic composers? I’m not joking.

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Keven Smith · December 21, 2020

Hidden Gem: Alma Redemptoris Mater (Salazar)

Here’s a Spanish Baroque motet that will gradually, gently win your heart while giving your choir another good option for the entire Christmas cycle.

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Daniel Tucker · December 20, 2020

What’s With All the Chant?

I had the honor of presenting this material to my parishioners at St. Thérèse Little Flower Catholic Church last week.

Richard J. Clark · December 20, 2020

Announcement of Easter & the Movable Feasts • 2021 • English & Spanish

The following free downloads in English and Spanish contain dates for 2021 in the score.

William J. Fritz · December 17, 2020

(Installment #15) “Catholic Hymnals” • William Fritz

To (re)Harmonize a Hymn—“Anima Christi” by Dr. Theodore Marier

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Jeff Ostrowski · December 16, 2020

The First Time We’ve Ever Done This Correctly!

Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”

Jeff Ostrowski · December 15, 2020

“Blessing the Bell” • Most Rev’d Alejandro D. Aclan

When a monk hears the bell, he stops whatever he’s doing and immediately goes to prayer. It is the voice of God calling us to pray, to avoid sin, and to forget the things of this world and think of Him.

Richard J. Clark · December 15, 2020

Saint Paul’s Choir School Presents “Starry Night: Christmas in Harvard Square”

A beacon of light in a dark time, the Saint Paul’s Choir of Men and Boys presents “Starry Night: Christmas in Harvard Square”

Keven Smith · December 14, 2020

How to Help Children Match Pitch (part III)

Three more tips on what to do and how to act with your young music students. Learn the secret ingredient of success!

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Jeff Ostrowski · December 13, 2020

“Rorate Mass” (FSSP) • 12 December 2020

Attendance was standing room only. Afterwards, the children presented roses to Mary—as the entire parish prayed the Rosary—and then we consecrated California to Jesus Christ.

Jeff Ostrowski · December 12, 2020

“Homily — 3rd Sunday of Advent, Year B” • Father Valentine Young, OFM

As the Gloria during Mass suggests, we should “thank Him simply because of His great glory.” When is the last time you did that?

Richard J. Clark · December 11, 2020

Safety in Music is a Pro-Life Issue

Updated music protocols in the Archdiocese of Boston include multiple layers of protection: masks, ventilation, distance, time.

Jeff Ostrowski · December 10, 2020

Offertory Compared • “Ave Maria” (4th Sunday of Advent) vs. “Ave Maria” (Immaculate Conception)

Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII

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Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“In the 17th century came the crushing blow which destroyed the beauty of all Breviary hymns. Pope Urban VIII (d. 1644) was a Humanist. In a fatal moment he saw that the hymns do not all conform to the rules of classical prosody.”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • “Reader Feedback” • 5 November 2025
  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant

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