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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Homily for the 19th Sunday after Pentecost” (EF) • Father Valentine Young, OFM

Jeff Ostrowski · October 6, 2020

The following is by Father Valentine Young, OFM, a faithful Catholic priest who died on 17 January 2020. It was delivered sometime between 2013 and 2020. To learn more about Father Valentine, please scroll to the bottom of the page.

19th Sunday after Pentecost

*  PDF Download • READINGS IN ENGLISH
—(1962 Missal) Extraordinary Form of the Roman Rite.

ANY AUTHENTIC spiritual writers usually explain today’s gospel parable by saying that the wedding garment symbolizes sanctifying grace. True Catholic teaching holds that we cannot get to heaven without sanctifying grace. That is the reason why the guest who entered the wedding feast celebration was dismissed from the celebration.

Sanctifying grace: It might be well to review our Catholic teaching in regard to grace. The word ‘grace’ means a gift given to us by God. Sanctifying grace is first given to us when we are baptized. Because of Adam’s and Eve’s disobedience they lost sanctifying grace. Therefore, they were unable to pass it on to their children and coming generations of people. God in His goodness remedied the situation by the sufferings and death of Christ. And we are able to recover this grace. We do this first at Baptism. That is why the Church teaches us that it is necessary even for infants to be baptized, even though they certainly have no personal sins. And this is further reason for the seriousness of the sin of abortion. These poor human beings are never given the opportunity to be baptized.

Their fate: I really don’t like to discuss the fate of unbaptized infants. The truest answer that can be given is “we don’t know their fate because God has not revealed it to us.” Now in the past theologians have speculated about the idea of Limbo, where these unbaptized infants would be perfectly happy although they would not technically be in heaven experiencing God ‘face to face’ as our Catechisms teach us. Pope Saint John Paul II explained the situation by saying, “We do not know the fate of such infants because God has not revealed it to us.” Now I know there are a lot of modern “theologians”—and even many Catholic priests—who claim that these souls go to heaven just like any baptized person. That is a nice thought, but we have no proof from anything in our Catholic religion to prove this is true. We are taught by authentic Catholic teaching simply to commend such souls to God. It is true that our reason and faith teach us that God is all just and won’t punish people for something they were not responsible for. We can hope they are in heaven; God has simply not told us. I know this answer may be difficult for some to accept. But it also puts us in a position where we have to have confidence in the goodness and mercy of God.

Other ideas: I did not originally intend to spend so much time on the topic that I just discussed. But again it is my duty to inform you of correct Catholic teaching and not just to tell people what they would like to hear. More importantly, we must make sure we are always in the state of grace. If not, God gave us the Sacrament of Penance or confession to remedy that situation.

Conclusion: I would like to presume that what I have said today was a review of what you already knew: No one can get to heaven without sanctifying grace. It makes us adopted children of God, allowing us to be sharers in His divine life. This gives us the capacity to enter heaven when we die. When all is said and done, there is nothing more precious than this. Let us do all we can to keep it ourselves. We are certainly praying for people not in the state of sanctifying grace when we pray in the Fatima prayer: “Lead all souls to heaven, especially those most in need of Thy mercy.” +

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Valentine Young SERMON Last Updated: October 6, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is when they are practicing that large groups stop in order to sleep; they don’t give themselves a new impetus after a pause (even if it is minimal) and singers pause when they should not (quarter-bar, half-bar)—everything provides temptation to go to sleep! It is thus not a question of rhythm but of musical integrity.”

— Justine Ward (20 July 1952)

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