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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Photo • Archbishop Fulton J. Sheen

Jeff Ostrowski · October 9, 2020

Archbishop Fulton J. Sheen praying the Rosary with his office staff:

When Archbishop Sheen was doing his television show in the 1950s, everyone in America watched it; Catholics and non-Catholics! He routinely received 15,000+ letters per day.

Photo Source: Unknown

As a bonus, here’s a photograph (1948) of Archbishop Fulton J. Sheen speaking in Melbourne, Australia on the occasion of the 100th anniversary of the diocese there. (Cf. page 141 of Treasure in Clay: The Autobiography of Fulton J. Sheen.)

I believe that Archbishop Fulton J. Sheen was an amazing preacher and a holy man. It is true he had a bad period in the 1960s, but he came out of it before he died; you can tell by the lectures he gave encouraging everyone to make the daily holy hour. He gave these lectures all around the country, even when he was elderly and not in good health.

Photo Source: Polish Blog

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Bishop Fulton J Sheen Last Updated: October 9, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion rail. It’s so difficult to play and keep checking the mirror. Your arrangement is absolutely genius. One can skip and choose which variations to use. The chord names are handy so that when my eyes are off the music, I always know where I am at. A thousand times thank you for sharing this arrangement!”

—Jeff Ostrowski
19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

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