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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · April 29, 2021

“Days Of The Week In Latin” • Feria II, Feria III, Feria IV, Feria V, Feria VI

“Feria Quinta” — which day is that? … Be honest.

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Jeff Ostrowski · April 28, 2021

“Are They Ugly?” • May 1st Propers For Saint Joseph

I fail to see how such a position can be defended…

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Keven Smith · April 28, 2021

Hidden Gem: In Te, Domine, Speravi (Hassler)

This simple canon makes a great “anytime” Offertory motet for developing choirs and experienced ensembles alike.

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Jeff Ostrowski · April 27, 2021

Paul Inwood Attacks Jeff Ostrowski’s Harmonies

Paul Inwood has unwittingly committed a rookie’s error here…

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Fr. David Friel · April 25, 2021

The Greater Litanies & the Meaning of Liturgical Processions

Processing is one way in which we express who we are as wayfarers en route to heaven.

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Veronica Brandt · April 24, 2021

An Interview with Veronica Brandt

How exactly does one get from electrical engineering to writing hymnbooks and making videos on singing Gregorian chant?

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Jeff Ostrowski · April 21, 2021

“The Fifteen Best Catholic Hymns” • Wait……

Church musicians: Is this what we’re doing wrong?

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Jeff Ostrowski · April 20, 2021

Do You Know This Easter Hymn?

We did both versions: One is quite popular, the other less so.

Jeff Ostrowski · April 19, 2021

Why does this repeat four times?

Folks, this is pretty cool.

Jeff Ostrowski · April 17, 2021

Not. Just. Catholics.

Talk about whatever subject you desire…except musical “style”—because doing so might get you killed.

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Jeff Ostrowski · April 16, 2021

Did Solesmes Abbey Drink The 1960s Kool-Aid?

…you be the judge…

Jeff Ostrowski · April 15, 2021

Fr. Thomas Reese • “Young People Should Not Be Allowed To Attend” Latin Mass

Currently, 759 people dislike his article, while only 73 support it.

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Jeff Ostrowski · April 14, 2021

10 Examples • “Diversity of Musical Styles” at the Traditional Latin Mass

Ten ways to make your musical selections during Mass a delight for all present.

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Keven Smith · April 12, 2021

“The Great Reset” • For Your Choir?

Consider using this time of disruption as an opportunity to make long-overdue changes in the way your choir operates.

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Jeff Ostrowski · April 12, 2021

“Adze” • Do you know this word?

William F. Buckley speaking on television about Monsignor Ronald Knox.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

What earlier generations held as sacred, remains sacred and great for us too, and it cannot be all of a sudden entirely forbidden or even considered harmful.

— Pope Benedict XVI, Letter accompanying “Summorum Pontificum” (7/7/07)

Recent Posts

  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini
  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”

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