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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Daniel Tucker · January 15, 2023

Introducing The Saint Hildegard Project

Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.

Jeff Ostrowski · January 14, 2023

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.

Andrea Leal · January 13, 2023

New Lectionary for the USA • Coming in 2028?

“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee

Jeff Ostrowski · January 13, 2023

Hymn Experiment • “Does This Work?”

If memory serves, his exact words were: “Gee, I never thought about that before.” Astonishing!

Jeff Ostrowski · January 11, 2023

PDF Download • Max Springer’s Gradual in Modern Notation (870 pages) — Extravagantly Rare!

In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).

Jeff Ostrowski · January 8, 2023

Which Hymnal Did Archbishop Fulton J. Sheen Endorse?

Musicians can have a stronger voice than even the legendary Fulton J. Sheen!

Jeff Ostrowski · January 6, 2023

What Exactly Is Dr. Peter Wagner Talking About?

“These manuscripts had to be sought out in the public or capitular libraries, whose conservators were often hardly supportive of—if not outright hostile to—the reproduction of their treasures.”

Jeff Ostrowski · January 5, 2023

“Solesmes Method” • Where was it developed?

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Jeff Ostrowski · January 4, 2023

PDF Download • The Official Funeral Booklet for Pope Benedict XVI (37 pages)

We strive to emphasize the positive on this blog, but I have to admit…

Jeff Ostrowski · January 4, 2023

PDF Download • “Corde Natus Ex Parentis” w/ Modern Harmonies (4 pages)

She said: “Jeff, you should record these harmonies with human voices, to illustrate what you mean.”

Corpus Christi Watershed · January 3, 2023

Document restricting the Latin Mass “broke Pope Benedict’s heart” says Archbishop Gänswein

The motu proprio 𝑇𝑟𝑎𝑑𝑖𝑡𝑖𝑜𝑛𝑖𝑠 𝐶𝑢𝑠𝑡𝑜𝑑𝑒𝑠 “hit him pretty hard” says the private secretary to the Pope Emeritus.

Veronica Moreno · January 2, 2023

“Sacred Time” Framed on our Wall

According to Cardinal Ratzinger “man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars.”

Patrick Williams · January 2, 2023

Gregorian Rhythm Wars • “Chorale and Chant Carefully Considered” (2 Jan 2023)

“The equalist plainchant of the High Middle Ages is as far removed from the rhythmic chant of the Early Middle Ages as the isometric chorales are from their rhythmic predecessors.” —Patrick Williams

Jeff Ostrowski · January 1, 2023

PDF Download • “Graduale Romanum” Organ Accompaniments by Dr. Peter Wagner (513 pages)

Dr. Peter Wagner, a famous musicologist, founded the “Gregorian Academy” in Freiburg (Switzerland).

Corpus Christi Watershed · January 1, 2023

Revealed! • Ratzinger wrote to FSSP after “Traditionis Custodes”

From his place of retirement, he sent a private letter following “Traditionis Custodes” (a document which attempted to strangle the Traditional Mass).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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