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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Patrick Williams · March 2, 2023

Patrick’s Second Response to Matthew

“Matthew Frederes is encouraging resistance and asserting that ‘progress trumps antiquity,’ without recognizing that he is resisting both!” —Patrick Williams

Corpus Christi Watershed · March 2, 2023

“Fifty-Seven (57) Sample Pages” • Brébeuf Hymnal

The last thing church musicians need is another collection of goofy, syrupy, mawkish hymns.

Matthew Frederes · March 1, 2023

Obedience In Sacred Music, Liturgy • Matthew Frederes Answers Patrick Williams

Obedience to the Church, and respect for Tradition is paramount in Sacred Music, as well as subjugation to the Liturgy. Was GR (1974) “The” Critical Edition? An incessant or insatiable thirst for variety and novelty is a vicious symptom of our modern age.

Jeff Ostrowski · March 1, 2023

Greatest Choral Piece Ever Written? • It Might Be Marenzio’s “Salve Regina”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”

Patrick Williams · February 28, 2023

Patrick Williams Responds to Matthew Frederes

“. . . zealous to keep the traditions of our forefathers, ever trying . . . boldly to restore any which might have been forgotten in the course of the ages.” —Preface to the Vatican Edition

Matthew Frederes · February 27, 2023

Do We Need a Beautiful Cento, or an Archaic Reversion?

The Vatican Edition, as well as St. Gregory’s work were both a Cento built on tradition to unify the Church. Semiological editions are archaic reversions. A close look at the Puer Natus Est in both forms is offered.

Jeff Ostrowski · February 25, 2023

Eleven (11) Rare Lenten Hymns You’ve Not Sung!

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue

Jeff Ostrowski · February 25, 2023

Roche’s Rescript • “Canonically Binding? Yes or No?”

What bishops need to know!

Dr. Gregory Hamilton · February 25, 2023

Has this all been our fault?

It seems to me that our responsibility of teaching the Faith through music is much more serious than is commonly perceived.

Patrick Williams · February 25, 2023

Blackley’s Sunday Mass Propers Now Available as Free PDF

“Transcriptions are best done by those who both sing & conduct and enjoy studying minute neumatic details & problems—all this while making sure that the horizontal musical line of each song is their main musical concern.” —R. John Blackley

Richard J. Clark · February 24, 2023

New Album from the Boys of Saint Paul’s Choir School

NEW CD from the Saint Paul’s Choir School, Harvard Square with the Sophia Music Group label

Jeff Ostrowski · February 23, 2023

Marier’s Majestic Music • In Singapore?

“One person I spoke to frequently—although I never met him…” (?)

Jeff Ostrowski · February 22, 2023

My Wish for Each of You

If we destroy our mental health, we will be no good to anybody.

Keven Smith · February 21, 2023

Lenten Reflection: Can We Enjoy What Lies Ahead?

Let St. Augustine’s wisdom guide you through the most important season for Church musicians.

Follow the Discussion on Facebook

Jeff Ostrowski · February 20, 2023

PDF Download • “Quinquagesima Sunday” Organ Accompaniment Booklet (25 pages)

The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

The frequent elisions, as in the verse “Hoc óstium arcae in látere est Genti ad salútem pósitum” (feast of the Sacred Heart) make for an unpronounceable and unsingable hymn, and slightly less so does the hymn for Christ the King.

— Archbishop Hannibal Bugnini

Recent Posts

  • “National Survey” (Order of Christian Funerals) • By the USCCB Secretariat of Divine Worship
  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)

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