Gregorian Rhythm Wars • “Feedback from Dom Stephen Concordia”
“I greatly appreciate your hospitality and willingness to engage in dialogue.” — Dom Concordia, OSB
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
“I greatly appreciate your hospitality and willingness to engage in dialogue.” — Dom Concordia, OSB
A mother and her children open the 2022 edition of the “Campion Missal” and find it more compact and very beautiful. Initial impressions include new images, a golden ribbon, and a newly-textured cover.
A few further thoughts on what ways of singing chant are “allowed.”
“Does it make more sense to judge later manuscripts in light of the oldest sources, or to judge the oldest sources in light of later manuscripts?” —Patrick Williams
Including a few brief responses to Professor Charles Weaver.
Preparing this blog, I discovered interesting snippets about the hymn, the composer, the translator, and even the poet who penned these lines in Latin!
Ostrowski, wishing to avoid fussiness, may justifiably refuse this invitation. But to argue, as he has, that these signs and the prayerful and aesthetic movements they embody are “illicit” is just wildly off the mark.
The second half of today’s article answers questions submitted by Mr. Matthew Frederes.
Mr. Williams, today I challenge you (please) to provide direct responses for two questions.
Why declare that rhythmic signs are permitted if alteration of any kind is unacceptable? It doesn’t make any sense…
I will not insult your intelligence by telling you what I suspect happened.
Including two (2) documents translated into English for the first time!
“Missa Back-To-The-Future” (a recent OCP offering) isn’t part of the treasury mandated by Vatican II; nor do I belong on the basketball court with Michael Jordan.
Tom died suddenly on 24 October 2022 (a month shy of his 67th birthday) at his home in Charlotte.
“We have a number of quotations from medieval writers in support of proportional rhythm…” —Patrick Williams
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