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Views from the Choir Loft

PDF Download • Max Springer’s Gradual in Modern Notation (870 pages) — Extravagantly Rare!

Jeff Ostrowski · January 11, 2023

HINGS THAT INTEREST ONE as a child no longer interest one as an adult. As youngsters, on hot summer days we would have a LEMONADE STAND in our front yard—and we really enjoyed doing that. But I have zero interest in lemonade stands these days. What’s astonishing is how Gregorian Chant is even more fascinating to me now than it was in the 1990s. I’ve matured, but I haven’t outgrown CANTUS GREGORIANUS. On the other hand, my ears don’t hear plainsong the same way they did twenty years ago; my ears are more sensitive now. I believe some Catholics feel hatred toward Gregorian Chant because they hear it sung in a boring, inelegant, lifeless way. But plainsong should be sung in a way that’s immaculate, pleasing, inspirational, and flowing!

A Danger • Having taught plainsong for more than two decades, I have come to believe that the thousands of modifications Dom Mocquereau made to the official edition can sometimes make Gregorian Chant sound plodding, fussy, and lifeless. This is especially true when amateurs attempt CANTUS GREGORIANUS, or when the Schola Cantorum has more than four singers.

New Book (157 Pages) • You might remember I’m working on a new project—using the official edition—which is called: GUILLAUME COUTURE GREGORIAN CHANT (URL). If you’re interested in proofreading (or if you’re just curious), please click on the URL. My volunteer choir was rehearsing one of the chants last week, and I made a recording of them singing (using the official rhythm). But the recording doesn’t do justice to how gorgeous it sounded in real life. Indeed, their choral sound almost knocked me off my feet! Although the book is still very much a work in progress, I hope you’ll check out the PREFACE I wrote:

*  PDF Download • DRAFT COPY (Guillaume Gregorian)
—131MB • Jeff Ostrowski added some explanatory material in January of 2023.

Tons More Coming! • Many authors followed the official rhythm: Flor Peeters; Monsignor Nekes; August and Carl Wiltberger; Professor Max Springer; Dr. Karl Gustav Fellerer; Dom Ermin Vitry; Monsignor Johannes Overath; Abbat Urbanus Bomm; Monsignor Francis Schmitt; Professor Joseph Gogniat; Father Karl Weinmann; Father Franz Xaver Mathias; and so forth. This is not a “Jeff Ostrowski” thing. Indeed, Dom Mocquereau did not tamper with the KYRIALE very much, so anyone who has ever sung parts of the ORDINARIUM MISSAE has already experienced the official rhythm. Along those same lines, today we release an extremely rare GRADUALE ROMANUM IN MODERN NOTATION, edited by Professor Max Springer:

*  PDF Download • MAX SPRINGER GRADUALE (870 pages)
—Professionally Scanned • 48.4MB • In modern notation.

Does Jeff Condemn? • Some claim that I condemn those who don’t follow the official rhythm. That is false. I simply explain what I do (and why I do it). Moreover, I make others aware of the different plainsong approaches, so they can make informed decisions. The most important thing is for those who sing plainsong to be perfectly together with voices perfectly blended. It’s also crucial to make sure the chant is not sung too slowly, the words are pronounced properly, and phrase endings get softer with a slight rallentando. In other words, there’s more to singing chant than simply knowing the right pitches.

Something Very Special • Max Springer does something quite praiseworthy in his GRADUALE. In addition to the full Gregorian Gradual, Tract, and Alleluia, he provides simplified versions. A directive issued under Venerable Pope Pius XII says: “In general it is better to do something well on a small scale than to attempt something elaborate without sufficient resources to do it properly” (De Musica Sacra, 3 September 1958, §60a). Max Springer knows that the full Gregorian Alleluia sounds awful if the choir has not attained a certain degree of perfection. Sometimes he based his “simpler” versions on seasonal melodies, such as “Roráte Coeli Désuper.” Below is an example that seems loosely based on the MODE V psalm tone:

Photographs • A few photos of this extravagantly rare book by Max Springer:

MAX SPRINGER (1877-1954) was an organist, composer, and professor. He was initially a pupil of the Beuron Abbey and later became organist at the Royal Abbey of Emaus (PRAGUE), a branch of the Beuron Monastery. At the university, he studied with Antonín Dvořák. In 1926, he became director of the University of Music and Performing Arts (VIENNA). On 29 June 1906, Dom Lorenzo Janssens—a member of the Vatican Commission on Gregorian Chant—sent Max Springer a congratulatory letter on behalf of Pope Pius X with regards to Springer’s book: “The Art of Accompanying Plain Chant.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Abbat Urbanus Bomm, Cantus Gregorianus, De musica sacra et sacra liturgia, Dom Ermin Vitry, Dr Karl Gustav Fellerer, Graduale Romanum, Graduale Romanum Roman Gradual Propers, Guillaume Couture Gregorian Chant, Max Springer of Beuron, melismatic morae vocis, Monsignor Francis P Schmitt, Monsignor Johannes Overath, Schola Cantorum Last Updated: April 2, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

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