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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Guest Author · September 1, 2023

Gregorian Rhythm Wars • “The Counter Tradition”

Guest submission (1 September 2023) by Alasdair Codona of Glasgow, Scotland.

Jeff Ostrowski · August 30, 2023

“Momentous Release!” • Freakishly Rare Gradual & Vesperal Published by Pothier’s Protégé (1,638 pages!)

He screamed into the telephone: “There’s no such thing as Gregorian Chant!”

Patrick Williams · August 30, 2023

Report from St. Louis Chant Workshop with Marcel Pérès

“I would characterize the sound as heavy and visceral in contrast to the soaring and ethereal aesthetic of the Solesmes style of chant.” —Patrick Williams

Jeff Ostrowski · August 29, 2023

PDF Download • “Alleluia Verse before Gospel” • (Mass in honor of Saint Noël Chabanel)

Instead, Saint Francis knelt down and kissed the priest’s hands…

Daniel Tucker · August 27, 2023

In Festo Sancte Augustine

“In the psalms and hymns used in your prayers to God, let that be pondered in the heart which is uttered by the voice; chant nothing but what you find prescribed to be chanted; whatever is not so prescribed is not to be chanted.”

Jeff Ostrowski · August 24, 2023

Natalia’s Message • “Hymn Verses Written Out!”

The cruelest thing you can do to anyone is…

Jeff Ostrowski · August 23, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Kýrie Eléison”) for the Ordinary Form

We must remember the lesson of the rock.

Jeff Ostrowski · August 22, 2023

PDF Download • “Our Father” (SATB Version)

Today, I release another movement of the “Saint Noël Chabanel Mass Setting” (for use in the Ordinary Form).

Patrick Williams · August 19, 2023

Gregorian Rhythm Wars • “Check the Date!” (19 Aug 2023)

“The oldest rhythmic sources are reliable. Study them for yourself and don’t take my word for anything!” —Patrick Williams

Jeff Ostrowski · August 18, 2023

PDF Download • Saint Noël Chabanel Mass Setting (“Holy, Holy, Holy”) for the Ordinary Form

As if the canonic sections were insufficiently stupendous, the composer works in stepwise ascending lines juxtaposed with lines in augmentation.

Keven Smith · August 18, 2023

Give Them Permission to Be Awesome

The case for offering private lessons to your singers. (Part 1 of 2.)

Follow the Discussion on Facebook

Richard J. Clark · August 18, 2023

Father Morales’ Astonishing “Ave Maris Stella” Gloria

Including a recording from Sacred Music Symposium 2023.

Jeff Ostrowski · August 17, 2023

“OCP” (Oregon Catholic Press) Forbids Organ Improvisation! • Screenshot Provided

The hubris on the part of OCP is breathtaking.

Jeff Ostrowski · August 17, 2023

Why Did You Become a Church Musician?

Including two (2) haunting and powerful Eucharistic hymns.

Jeff Ostrowski · August 14, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 1 of 2)

Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 19th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 19th Sunday in Ordinary Time (10 August 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the feasts website.
    —Jeff Ostrowski
    This Sunday’s Communion Antiphon
    This coming Sunday—10 August 2025—is the 19th Sunday in Ordinary Time (Year C). The COMMUNION ANTIPHON is really gorgeous, and two of its features are worth mentioning. First of all, the Gospel reading assigned is from Saint Luke, whereas the the antiphon—although it matches the account—comes from Saint Matthew. (If anyone can point to a similar example, please notify me.) Furthermore, if you look at the authentic Gregorian Chant version posted on the feasts website, you’ll notice that it’s MODE III but ends on the ‘wrong’ note. A comparable instance of such a ‘transposed’ chant would be KYRIE IV.
    —Jeff Ostrowski
    Using “Ye” Vs. “You” Correctly
    Using “Ye” vs. “You” is rather tricky, because it depends upon which era one is trying to recreate—if that makes any sense. In other words, the rules haven’t always been the same for these two. Nevertheless, Father Philip George Caraman (the legendary Jesuit scholar) gives us a masterclass using Saint Luke’s Gospel. Father Caraman was close friends with Monsignor Ronald Knox, Evelyn Waugh, and Sir Alec Guinness.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Urban VIII appointed four Jesuits to reform the hymns, so that they should no longer offend Renaissance ears. These four, in that faithful obedience to the Holy See which is the glory of their Society, with a patient care that one cannot help admiring, set to work to destroy every hymn in the office.”

— Fr. Adrian Fortescue (1916)

Recent Posts

  • “Music List” • 19th in Ordinary Time (Year C)
  • This Sunday’s Communion Antiphon
  • Using “Ye” Vs. “You” Correctly
  • Installment #3 • “Serious Problems with the Lectionary Translation”
  • “Pope Leo XIV Has Announced…”

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