“Liber Usualis” • Jeff’s Proposed Modifications
In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

In 1957, the Abbey of Solesmes publicly claimed copyright over “the rhythmic signs 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗿𝗵𝘆𝘁𝗵𝗺 𝘁𝗵𝗲𝘆 𝗿𝗲𝗽𝗿𝗲𝘀𝗲𝗻𝘁.”

The more I argued, the more Kenneth insisted that none of my objections were valid…
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I recorded my choir trying out the little “puzzle” (sent by Benedetti to Cipriano de Rore) to see whether the pitch would drift at all…

“As the organ plays, so does the congregation sing!” —From the Foreword

That’s not an easy hymn to sing 𝘢 𝘤𝘢𝘱𝘱𝘦𝘭𝘭𝘢 but my volunteer choir attempted it. If you think it’s easy, please send me a recording of your choir singing it!

Juanpablo Macias, a seminarian studying for the Archdiocese of Las Vegas, enjoys composing, singing, and playing organ for the sacred liturgy.

We can hardly do better than to join in the same melodies sung by Catholic saints throughout history.

Some days, Fulton J. Sheen received as many as 30,000 letters.

English and Spanish — scores and practice videos in with dates for 2024!

Dr. Kutarna teaches liturgical music courses at the University of Saint Thomas in Houston, Texas.

Practice video for the Announcement of the Nativity of the Lord from the Roman Martyrology

Photograph from 1963, the year Monsignor Hellriegel published his 𝐻𝑜𝑙𝑦 𝐶𝑟𝑜𝑠𝑠 𝑃𝑎𝑟𝑖𝑠ℎ 𝐻𝑦𝑚𝑛𝑎𝑙.

Is it fair to forever bind Dom Guéranger to what he wrote about “barbarous archaisms” in 1855?
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