• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Jeff Ostrowski · April 5, 2013

“Chronicles of Narnia” by Msgr. Richard Schuler

“The hootenanny Mass can give explicit eucharistic and christological specification to youth’s intense involvement in the movements for racial justice, for control of nuclear weapons, for the recognition of personal dignity.” — “Worship Magazine” (January 1966)

Richard J. Clark · April 5, 2013

Say the Black. Do the Red—with Love.

The road to the ideal must travel through the hearts and minds of real flesh and blood. If in our ministry we are not teaching love, then we have failed.

Jeff Ostrowski · April 4, 2013

Reflections From The Editor Of The Campion Missal & Hymnal

For the sake of argument, let us pretend the sentence were true. How many times should one read such commentary? Each time one attends Mass? Surely not. Twice, perhaps? Thrice? Would it not be better to leave such commentary to a separate devotional book?

Dr. Peter Kwasniewski · April 4, 2013

Can Theology and Liturgy Be Divorced?

Truly it would not be presumptuous to say that, in a liturgy completely centered on God, we can see, in its rituals and chant, an image of eternity.

Andrew R. Motyka · April 3, 2013

The Choir Director as Catechist

How to feed your choir in non-musical ways.

Guest Author · April 2, 2013

Thoughtful Article On Hymns By Fr. Mark Woodruff

“Professor László Dobzay, writing from a classic Latin Catholic perspective, has made constructive proposals for a re-integration and mutual perfection of the Ordinary and Extraordinary Forms of the Roman Rite.” — Fr. Woodruff

Cynthia Ostrowski · April 2, 2013

Catholic Line Art, Black and White • Installment #12

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · April 1, 2013

Simple English Propers (Divine Mercy Sunday)

What would the Simple English Propers sound like harmonized as if they were Chabanel Psalms? That is, according to the principles of the Nova Organi Harmonia?

Fr. David Friel · April 1, 2013

Easter Monday

What Do Priests Do?

Richard J. Clark · March 31, 2013

The Power of Gregorian Chant

A crowd of nearly 1,000 people, many who don’t come to mass, many who may not prefer Gregorian Chant, many who know nothing about chant—fell silent.

Fr. David Friel · March 31, 2013

He Saw & Believed

The Beloved Disciple & the Virtue of Faith

Jeff Ostrowski · March 30, 2013

Which Instruments Are Allowed At Mass?

Fr. Hogan’s argument reminds me of a comment by Fr. George Rutler, quoting Victor Borge: “My father and uncle were identical twins, but I never knew which was the identical one.”

Jeff Ostrowski · March 29, 2013

The Pius X Hymnal by Dr. Theodore Marier

In conclusion, although I have tremendous respect for Dr. Theodore Marier, I expected a lot more from this book based on its “reputation.” I hope my honest observations do not offend anyone.

Guest Author · March 29, 2013

Sacred Choral Program (Living Water College)

“Open your soul to truth and beauty this Summer. Expand your mind, build your repertoire of church music, and enter into Mass more profoundly than you may have thought possible.” — Ms. Nicole Dunn, Alberta (Canada)

Fr. David Friel · March 29, 2013

Feeling the Absence

The Experience of Good Friday

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 305
  • Page 306
  • Page 307
  • Page 308
  • Page 309
  • Interim pages omitted …
  • Page 334
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski
    Music List • (5th Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday, 8 February 2026, which is the 5th Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. You will probably notice it isn’t as ‘complete’ or ‘spiffy’ as usual, owing to some difficulties which took place this week.
    —Jeff Ostrowski
    PDF • “Communion” (5th Sunday in Ordin.)
    The COMMUNION ANTIPHON for this coming Sunday, 8 February 2026—which is the 5th Sunday in Ordinary Time (Year A)—is truly delightful. You can download the musical score completely free of charge. This text will be familiar to altar boys, because it’s PSALM 42. The Feder Missal makes the following claim about that psalm: “A hymn of a temple musician from Jerusalem: he is an exile in a heathen land, and he longs for the holy city and his ministry in the Temple there. The Church makes his words her own.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

On 26 July 1916—during the German occupation of Belgium—a student choir led by Van Nuffel performed his setting of the psalm “Super flumina Babylonis” in Saint Rumbold’s Cathedral. The text and the musical setting very aptly expressed the depressed and rebellious mood of the population. The acclaim was enormous, and it laid the foundation for Van Nuffel’s formation of the Saint Rumbold’s choir.

— Unknown

Recent Posts

  • “Sanctus VIII” • Organ Accompaniment
  • PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)
  • Gorgeous Image of Monks Singing!
  • “Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass
  • Solfege Volleyball: A Children’s Choir Game

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.