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Views from the Choir Loft

Arundel hymns

Veronica Brandt · April 26, 2013

THE ADVERTISING copy for a Catholic hymnbook published in 1905:

Arundel Hymns, chosen and edited by Henry Duke of Norfolk and Charles T. Gatty, with Introductory letter from Pope Leo XIII., Preface, etc. Complete in one volume (553 pages), price 6s. net. Parts I to VII. 1s. each. Published by Boosey & Co., 295 Regent Street, London, W.

Also, listed in the adverts in the back:

Words only, Complete Edition. Price in leather, with gilt edges, and printed on special paper, 2s.; in cloth, 1s.; in stiff paper 9d.

Words only, Abridged Edition, suitable for poor Missions. Price, in cloth 6d.; in stiff paper, 3d.

Arundel Masses — William Byrd’s Mass for 3 voices and Missa de Angelis.

Arundel Antiphons, simple settings by classical composers, with Latin words.

I haven’t seen the rest of these books, only the complete one volume edition thanks to the Internet Archive. I don’t have a picture of the original binding, but here is the copy I put together through Lulu.

The Church of England beat us to writing the first big collections of English hymns and we couldn’t just copy. So Catholic hymn books from around the time of Catholic emancipation have a difficult task. To try collect a distinctly Catholic collection of hymns from the bits left over by the heretics and schismatics.

This is an over simplification. Catholics have a huge treasury of hymns in Latin and these had been translated into English by quite a few scholars. But a persecuted Church who had been excluded from higher education for so long looked upon these with suspicion.

Enter the fifteenth Duke of Norfolk a descendant of St Philip Howard, 20th Earl of Arundel who died in the tower of London in 1595. At long last the government permits Catholic churches to be built, so he builds one. The Church of Our Lady and St Philip Neri, built in 1868-1873, now serving as Arundel Cathedral. You can see it on the cover of this paperback copy in the picture.

They need hymn books, so he teams up with a learned antiquarian to produce a new book. In some ways it is quite impractical. Such a mixture of favourite poems and hymns. Little motets by William Byrd alongside “Matthew, Mark, Luke and John, bless the bed that I lie on.” Most are given in four parts. Some poems are left without any music-maybe just for the edification of the reader. But such a mixture of styles offers something for everyone. I’m probably not the only one to have grown up reading the hymnbook during Mass – so it serves as a prayer book too. It’s also designed for use in Catholic Schools so even has a song praying for fair weather for the summer holidays “From rain and sadness, keep us free and send the sun to cheer us.”

        1.  Click here to view on Open Library.

        2.  Click here to buy a tidied up copy from Lulu.

They may have overdone it in providing alternative tunes. Most have at least one tune spare in case the first doesn’t fit.
But do we need 12 settings of Stabat Mater?
13 of Ave Maris Stella?
14 of Tantum Ergo?
15 of O Salutaris Hostia?
Maybe we don’t need them, but they are good to have.

Though it might not serve as a practical pew book in a parish today, Arundel Hymns might be more of a treat for someone who learns new hymns for fun. Maybe to dip into after a choir social night round the piano.

And if anyone has any of the other editions, contact me.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Hymnbooks Last Updated: January 1, 2020

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About Veronica Brandt

Veronica Brandt holds a Bachelor Degree in Electrical Engineering. She lives near Sydney, Australia, with her husband and six children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski
    Is the USCCB trolling us?
    I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.
    —Jeff Ostrowski
    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Using the shoddiest, sleaziest material we have for the purpose of glorifying God is not very sound theology or even very good common sense. […] (In general, when you see a diminished seventh chord in a hymn, run.) And these chords are usually used in bad hymns in precisely the same order in which they occur in “Sweet Adeline.”

— Paul Hume (1956)

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  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong
  • Is the USCCB trolling us?
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  • “Common” Responsorial Psalm?

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