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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Articles

Fr. David Friel · May 8, 2013

Celibacy

Are We Beyond This?

Andrew R. Motyka · May 8, 2013

Not-So-Ordinary Time

Ordinary Time doesn’t mean what you think it means, and even if it does, you’re probably wrong.

Jeff Ostrowski · May 7, 2013

Irrefutable Proof That Some People Are Jerks

Verbal abuse of a mentally handicapped man was something hard to watch. But why do I mention such a thing on a Blog devoted to Sacred music?

Fr. David Friel · May 6, 2013

An Inverted Culture

The Perils of Modernity

Fr. David Friel · May 5, 2013

In This Time Above All

Lauding God Yet More Gloriously

Guest Author · May 4, 2013

Josquin’s Beautiful “Missa Pange Lingua” In Minnesota

St. Benedict Catholic Church in Duluth, Minnesota, will be hosting a Solemn High Mass (traditional Latin Mass), celebrated by the parish pastor, Father Eric Hastings, for the Ascension on Thursday evening at 7 p.m.

Veronica Brandt · May 4, 2013

Does music keep kids quiet at Mass?

Maybe music is not the instant solution, but definitely a help.

Corpus Christi Watershed · May 3, 2013

02 • Lalemant Interviews: Dr. Jeremy Sienkiewicz

Does the Church really allow the Gospel to be replaced by excerpts from Machiavelli’s THE PRINCE? Seriously? Dr. Jeremy Sienkiewicz of Benedictine College chats about numerous topics, including the Mass Propers.

Richard J. Clark · May 3, 2013

Adversity Builds Strength

Church musicians carry “battle scars” of the profession. We can all tell “war stories.” But Thomas à Kempis writes in “The Imitation of Christ,” “…the measure of every man’s virtue is best revealed in time of adversity—adversity that does not weaken a man but rather shows what he is.”

Corpus Christi Watershed · May 2, 2013

Pope Emeritus Benedict XVI Welcomed By Pope Francis

“The emeritus pope, who made the unprecedented decision to step down from his role in February, will now live in a converted monastery near current Pope Francis.” — New York Daily News

Jeff Ostrowski · May 2, 2013

CMAA President Has His Own “STAR” In Hollywood

Did you know a former president of the Church Music Association of America has his own STAR on the Hollywood Walk of Fame? That’s correct! Just like Michael Jackson, Rex Harrison, Alfred Hitchcock, Harrison Ford, and all the rest.

Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

Andrew R. Motyka · May 1, 2013

Live for the Moment

The temporal reality of the liturgy that cannot be bound by recordings.

Cynthia Ostrowski · April 30, 2013

Catholic Line Art, Black and White • Installment #16

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Corpus Christi Watershed · April 29, 2013

Free Responsorial Psalm, 6th Sunday of Easter, Year C

R. O God, let all the nations praise you!
Vs. May God have pity on us and bless us . . .

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Remarkable Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), complaining that the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be sad about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“However well equipped and trained a choir may be, all its good points may be obscured by an unsuitable accompaniment. In fact the organist can, in a large measure, either make or mar his choir. It must be owned, however, that the accompanist of Plainsong has to contend with many difficulties. […] The purist will still find his best enjoyment of the chant when it is sung unaccompanied, but to most a becoming accompaniment gives an added charm.”

— Benedictines of Stanbrook (1905)

Recent Posts

  • Bugnini’s Remarkable Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

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President’s Message (dated 30 May 2025)

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