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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · June 8, 2013

“How Do I Use Gregorio? How Do I Use GABC?”

To prove that anybody can learn to use GABC (Gregorio) in five seconds to create Gregorian chant scores, I created this training video while holding a 6-month-old baby.

Veronica Brandt · June 8, 2013

GABC Transcription Tools

Computers making life easier for once. No, really!

Corpus Christi Watershed · June 8, 2013

Alexander K. Sample, Archbishop of Portland

“The GLORIA of the Mass set to a Polka beat or in the style of rock music is not sacred music.” — Most Reverend Alexander Sample, Archbishop of Portland

Corpus Christi Watershed · June 7, 2013

Sacred Music Conference: Marquette, Michigan

Those from the Diocese of Marquette and neighboring dioceses are highly encouraged to attend!

Fr. David Friel · June 7, 2013

Heart of Jesus

Love Beyond Words

Richard J. Clark · June 7, 2013

The “Heart and Soul” of STTL: The Three Judgments: One Evaluation

If there is any one section of “Sing to the Lord: Music in Divine Worship” to become very familiar with, it is this one, and for rather intriguing reasons.

Jeff Ostrowski · June 7, 2013

Concerning “Finger Flapping”

Sigh . . What to do when you’re the greatest of the great?

Dr. Peter Kwasniewski · June 6, 2013

Can We Ever “Understand” the Mass?

Those who take away the density of ritual and the solemn beauty of the ineffable will not gain more worshipers; they will merely give them more reasons to go away and find something more interesting to do.

Jeff Ostrowski · June 6, 2013

Splendid! A 2013 Recording By Cistercian Nuns

“I have listened to the CD with great enjoyment. When listening to the Cistercian Nuns of Saint Mary’s Abbey, one realizes that they do not just sing at prayer or sing their prayers: their very singing is prayer, according to the axiom, Those who sing well, pray twice.” — Quote from a listener.

Jeff Ostrowski · June 5, 2013

Fantastic News For The New Translation!

The crucial question was not asked: “Is the New Translation more accurate than the previous one?”

Andrew R. Motyka · June 5, 2013

An FYI on EP in the OF – Part 2

This week, we will take a look at the reading and Responsory.

Cynthia Ostrowski · June 4, 2013

Catholic Line Art, Black and White • Installment #19

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Jeff Ostrowski · June 4, 2013

What Is Currently Happening? Let’s Be Honest.

Why do 99% of Catholic Churches replace 100% of the Mass Propers 99% of the time?

Corpus Christi Watershed · June 4, 2013

06 • Lalemant Conversations: Dr. Scott Smith

Dr. Scott Smith speaks about the Mass Propers in a “live” phone interview.

Jeff Ostrowski · June 3, 2013

Free Musical Scores For Catholic Weddings

Nuptial Mass Responsorial Psalms, Gospel Acclamations, Introits, Offertories, simple organ interludes, training videos, PDF scores, and more . . . all for free!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“No living writer possesses a greater command over the English language than Msgr. Knox, but in this instance one cannot help feeling that he has allowed his virtuosity to get the better of him, and, in his anxiety to shield the holy of holies from vulgar intrusion, produced a text that would either pass over the listener’s head as completely as the original Latin, or else leave him groping so long after the meaning that he would be quite unable to keep pace with the officiating priest.”

— Dr. Herbert Patrick Reginald Finberg (University of Leicester)

Recent Posts

  • Fulton J. Sheen Played The Pipe Organ!
  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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