New Testament Hymns
Mystery as Light
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Articles
Nine Images • The Campion Missal & Hymnal
Here are nine images of the 2nd edition.
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Fringe Fest
The Call of Matthew
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The Pope’s interview, context and Latin.
We shouldn’t sing in Latin because it cuts people off. Except O Sanctissima, because everyone knows that one. And maybe Salve Regina. And Tantum Ergo we all know by now. And…
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A Beautiful Quote By Archbishop Fulton J. Sheen
Here at Watershed, Bishop Sheen is one of our favorites.
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Inviolable Refuge
At one time or another, all artists are tested in the same way that faith is tested. In this test—the infliction we will endure at one time or another—our faith is made stronger.
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“Adoremus In Æternum” … Heretical?
“Will you still love your girlfriend after she becomes your wife?”
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The Sexual Rhythm of Rock Music (2 of 2)
After causing general apoplexy with last week’s post, I will endeavor today to add some nuances and respond to objections.
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Sacramental Grace and Intentional Discipleship
How disposition affects our receptivity of grace.
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Catholic Line Art, Black and White • Installment #34
I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”
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No Salvation From Decrees (2 of 3)
If a choir sings the “Kyrie Eleison” in Greek, is it still considered a “Latin Mass?” Archbishop Bugnini disagrees.
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Serious about Sacred Music
The Playfulness of God
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Jeb Bush And The Sacred Liturgy
“It might surprise a stranger that, after we have solemnly told the people to go away, they stay and the service continues.” — Adrian Fortescue
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Singing the Divine Office before and after Mass
Singing Terce before and Sext after Sunday Mass and Compline after weeknight Masses. A new book with everything you need according to the Monastic Office with English translations.
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It’s No Fluke
One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.
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