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Views from the Choir Loft

Articles

Fr. David Friel · July 6, 2014

Colloquium Update IV

The Glories of A Single Proper

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Fr. David Friel · July 5, 2014

Colloquium Update III

“Minding the Gap” — Organ Improvisation

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Veronica Brandt · July 5, 2014

If we took music seriously

“Great importance is to be attached to the teaching and practice of music in seminaries, in the novitiates and houses of study of religious of both sexes, and also in other Catholic institutions and schools. To impart this instruction, teachers are to be carefully trained and put in charge of the teaching of sacred music.”

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Fr. David Friel · July 4, 2014

Colloquium Update II

Resources for Accompanying Gregorian Chant

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Richard J. Clark · July 4, 2014

Should We Sing Patriotic Hymns at Mass?

I love patriotic hymns. But should we sing them at mass?

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Fr. David Friel · July 3, 2014

Colloquium Update I

All the things I love about the Colloquium experience are here in force: an extraordinary faculty, magnificent liturgies, good fellowship, etc.

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Dr. Peter Kwasniewski · July 3, 2014

Music Rules Over Us

Music is like a food that either makes us healthy or sick; indeed, it shapes our souls in its image.

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Jeff Ostrowski · July 3, 2014

Bishop Conley Sings “Salve Regina” With A Whole Pack Of Bishops

How often do you see a whole bunch of bishops sitting around singing the Salve Regina?

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Jeff Ostrowski · July 2, 2014

Why On Earth Would Anyone Do This?

Am I a hypocrite?

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Cynthia Ostrowski · July 1, 2014

Catholic Line Art, Black and White • Installment #55

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Aurelio Porfiri · July 1, 2014

A Name To Remember

If you don’t know who Divo Barsotti is, his discovery will be for you like “exploring a continent for the first time.”

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Jeff Ostrowski · June 30, 2014

“No Propers? No High Mass!” — 1933 Article

“…at these High Masses, the choir omits the Gloria, Credo, Gradual, Tract and Sequence.” — Answer: “The method is an abuse and must be done away with.”

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Aurelio Porfiri · June 30, 2014

Appropriate

I am sure 100% of you will agree that: “a rock band is not going to entertain fans at the sound of Gregorian chant.”

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Fr. David Friel · June 29, 2014

Strong with God’s Strength

Saints Peter & Paul

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Guest Author · June 29, 2014

Homily: Solemnity of Saints Peter & Paul

“Recently, our present Holy Father Pope Francis said that there is more persecution of Christians going on now than ever before”

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Corpus Christi Watershed

President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
  • “Receipts + Invoices” • (CCW Subscribers)
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  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)

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