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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Brandt · June 28, 2014

This wonderful Bishop’s letter on the Blessed Sacrament

A pastoral letter from Most Reverend Anthony Fisher OP, Bishop of Paramatta.

Jeff Ostrowski · June 27, 2014

PDF Download: Complete Proper Of The Mass, With Organ Accompaniment • Kansas (1946)

Two priests from Kansas — Fr. Herman Koch & Fr. Andrew Green — created this remarkable collection in the 1940s.

Richard J. Clark · June 27, 2014

The Thoughts of His Heart

It is striking to even consider that Jesus has his own “thoughts” or “designs” within his own Heart.

Jeff Ostrowski · June 26, 2014

First Time Attending A Novus Ordo Mass

If you can explain why the GLORY & PRAISE has an eagle flying across page 37, you get a cookie.

Dr. Peter Kwasniewski · June 26, 2014

On the Objectivity of the Beautiful

Can we really rank the works of fine art? Is one composer greater than another, one piece of sacred music more beautiful than another? Or is it all relative?

Aurelio Porfiri · June 25, 2014

The Downside Of Dialogue

We have a saying in Italy: “The road to hell is paved with good intentions.”

Corpus Christi Watershed · June 25, 2014

Common Responsorial Psalm Texts

“Nevertheless, in order that the people may be able to join in the responsorial psalm more readily, some texts of responses and psalms have been chosen…”

Cynthia Ostrowski · June 24, 2014

Catholic Line Art, Black and White • Installment #54

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Aurelio Porfiri · June 24, 2014

Fifa World Cup

What does the liturgy have to do with the World Cup of soccer? Nothing, probably, or maybe something.

Corpus Christi Watershed · June 23, 2014

Francis Cardinal Arinze Speaking on the New Roman Missal

We seldom post videos, but this one might be enjoyed by our readers.

Gwyneth Holston · June 23, 2014

Archbishop Sample’s Letter On Sacred Music (8 of 8)

Eagerly awaiting a Pastoral Letter on Sacred Art in Divine Worship.

Follow the Discussion on Facebook

Aurelio Porfiri · June 23, 2014

Bottega • Aurelio Porfiri

“Mæstro Porfiri is a true lover of liturgy and music and a serious, honest, and responsible person.” — Domenico Cardinal Bartolucci (Vatican)

Guest Author · June 22, 2014

Homily: Corpus Christi (Year A)

All any of us can do on a day like this is say: “Lord, increase the Faith of all who believe in You.”

Fr. David Friel · June 22, 2014

Archbishop Sample’s Letter On Sacred Music (7 of 8)

May the Archbishop’s reflections & exhortations bear fruit in practical renewal!

Veronica Brandt · June 21, 2014

Archbishop Sample’s Letter On Sacred Music (6 of 8)

“Every hour of worship should represent at least two hours of structured preparation at a time and place apart from the congregation.”

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

The Latin language, “far from being held in little regard, is certainly worthy of being vigorously defended.”

— Pope Saint Paul VI (15 August 1966)

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