The Supreme Court & Traditional Liturgy

Jeff Ostrowski · July 22, 2014

T MAY COME as a surprise to some that Supreme Court Justice Antonin Scalia attends the Traditional Latin Mass. (Examples of other public figures who attend the EF include Clarence Thomas, Andrew Napolitano, and Patrick J. Buchanan.) For the record, I’m a big fan of Scalia.

Justice Scalia’s son is a Catholic priest: Rev. Paul Scalia. He recently assisted at the ordination of FSSP priests by Bishop James D. Conley.

BEAUTIFUL IMAGES from the ordination are available here:

* * 14 June 2014 — Ordination of FSSP priests by Bishop Conley

In my opinion, Fr. Paul Scalia’s face resembles that of his father (Justice Antonin Scalia) … but I could be completely wrong about this.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

20 January 2021 • REMINDER

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—Jeff Ostrowski

19 January 2021 • Confusion over feasts

For several months, we have discussed the complicated history of the various Christmas feasts: the Baptism of the Lord, the feast of the Holy Family, the Epiphany, and so forth. During a discussion, someone questioned my assertion that in some places Christmas had been part of the Epiphany. As time went on, of course, the Epiphany came to represent only three “manifestations” (Magi, Cana, Baptism), but this is not something rigid. For example, if you look at this “Capital E” from the feast of the Epiphany circa 1350AD, you can see it portrays not three mysteries but four—including PHAGIPHANIA when Our Lord fed the 5,000. In any event, anyone who wants proof the Epiphany used to include Christmas can read this passage from Dom Prosper Guéranger.

—Jeff Ostrowski

6 January 2021 • Anglicans on Plainsong

A book published by Anglicans in 1965 has this to say about Abbat Pothier’s Editio Vaticana, the musical edition reproduced by books such as the LIBER USUALIS (Solesmes Abbey): “No performing edition of the music of the Eucharistic Psalmody can afford to ignore the evidence of the current official edition of the Latin Graduale, which is no mere reproduction of a local or partial tradition, but a CENTO resulting from an extended study and comparison of a host of manuscripts gathered from many places. Thus the musical text of the Graduale possesses a measure of authority which cannot lightly be disregarded.” They are absolutely correct.

—Jeff Ostrowski

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About Jeff Ostrowski