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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Andrew R. Motyka · October 15, 2014

Weddings: Some Practical Advice – The End and the New Beginning

The rest of the Wedding liturgy, and some miscellaneous advice.

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Cynthia Ostrowski · October 15, 2014

Catholic Line Art, Black and White • Installment #59

Today’s installment gives an alternate version to Purification image we’ve already released.

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Aurelio Porfiri · October 14, 2014

VIDEO • Wandering Around During The Sign Of Peace

I don’t know how you feel, but being hugged by unknown people on the basis that they sit next to me is not really the best experience in the world…

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Aurelio Porfiri · October 13, 2014

VIDEO • A New Mass For A New Era

“Our Archconfraternity is truly grateful to Maestro Aurelio Porfiri for the gift of this marvelous Mass which he has composed.” —Domenico Rotella

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Jeff Ostrowski · October 13, 2014

“Music Of An Altogether Profane And Worldy Character Is Unworthy For Church” —Bugnini

“The principles of sacredness and dignity which distinguish church music, in regard to its singing and its musical instruments, should remain intact.” —Cardinal Lercaro (1966)

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Aurelio Porfiri · October 13, 2014

VIDEO • Light And Darkness

Including exclusive interviews with Fr. Corrado Maggioni and Rodolfo Papa.

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Fr. David Friel · October 12, 2014

The Society for Catholic Liturgy

Two Contributions from CCW Bloggers

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Guest Author · October 12, 2014

The Miracle of Mozart (and Friends)

Modern evidence that “modern” music may not be so “great” as the moderns would like you to think.

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Aurelio Porfiri · October 11, 2014

VIDEO • I Am An Elitist

These elite are people who—by means of tireless effort—try to create good art for the benefit of everyone.

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Veronica Brandt · October 11, 2014

Pope Pius XII’s First Communion Day

“Pope Pius XII was, in his own way, perhaps the boldest innovator among the Popes of the twentieth century.”

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Aurelio Porfiri · October 10, 2014

Aurelio Porfiri: Excerpt from “Corpus Domini” Oratorio

Are modern church musicians still composing oratorios? Yes!

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Jeff Ostrowski · October 10, 2014

Pope Francis Allows A Flock Of Children To Dance Around Him

Is it appropriate for a pope to let kids dance around him in such a crazy fashion?

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Richard J. Clark · October 10, 2014

Andrew Leung | Sacred Musician

There is a bond forged by those struggling to create beauty and pray the scriptures through sacred melody.

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Corpus Christi Watershed · October 10, 2014

Interview From Rome • Cardinal Burke: “What Happens To The First Union?”

Cardinal Burke describes how the Catholic Church can protect both parties involved in a marriage.

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Jeff Ostrowski · October 9, 2014

25% off all Lulu books until 15 October 2014

I can’t resist sharing a SPECIAL COUPON to save you 25% on all orders without exception!

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The priest at the altar,” says St Cyprian, “represents the person of Jesus Christ.” But whom do so many priests today represent? They represent only mountebanks earning their livelihood by their antics. Most lamentable of all is it to see religious—and some even of reformed orders—offer Mass with such haste and such mutilation of the rite as would scandalize even the heathen… Truly, the sight of Mass celebrated in this way is enough to make one lose the faith.

— Saint Alphonsus Liguori (condemning Masses said irreverently)

Recent Posts

  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!

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