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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

Veronica Brandt · August 5, 2024

Slavonic Sub Tuum: a 3 part gem of haunting beauty for your choir

An easy-peasy all-year-round Marian motet in three parts plus some reflections on typing up sheet music.

Follow the Discussion on Facebook

Jeff Ostrowski · August 4, 2024

“Something Quite Odd” • Today’s Responsorial Psalm

Including a special comparison chart which shows the NAB translation vs. the “Abbey Psalms and Canticles” translation.

Jeff Ostrowski · August 2, 2024

PDF Download • “Sanctus” (Roman Missal, 3rd Ed.) in English, Latin, Spanish — Organ Accomp.

You might want to download three PDF files I composed this morning.

Jeff Ostrowski · July 31, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

On 20 March 2014, this musical setting was approved for liturgical use by “The Committee on Divine Worship” (a standing committee of the USCCB).

Jeff Ostrowski · July 29, 2024

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

Jeff Ostrowski · July 29, 2024

Can You Answer These Four (4) Questions?

How to unify your parish music program for different Masses in different languages.

Richard J. Clark · July 25, 2024

Spanish Psalter that’s great for the Organ!

Free download of Responsorial Psalms in Spanish that work great for the organ from composer Marc Cersiser

Dr. Samuel Backman · July 24, 2024

Sacred Music and Suspicions of Elitism

“While a student, I was told to avoid playing Bach in the context of worship, as doing so might give the impression that I was targeting a sort of ‘elite’ class.” —Dr. Samuel Backman

Jeff Ostrowski · July 23, 2024

PDF Download • “Entrance Chant” for the 17th Sunday in Ordinary Time (Years ABC)

Including ten (10) alternate versions!

Corrinne May · July 22, 2024

National Catholic Register Features Our Own!

“I listened to his composition in awe.” —Corrinne May

Jeff Ostrowski · July 22, 2024

“Death Stops Us. It Stops Our Race.”

“One builds a house, and its roof is not finished; another buys merchandise, and it is not yet sold.” —Cardinal Newman

Veronica Moreno · July 20, 2024

720,000 Views … and Counting!

In last Friday’s Eucharistic Conference, Corrinne May underscored that Silence is an integral and essential part in the Holy Sacrifice of the Mass.

Fr. David Friel · July 20, 2024

Society for Catholic Liturgy Conference 2024

Hosted in Houston, this conference will explore “Liturgy and the Human Imagination.”

Jeff Ostrowski · July 19, 2024

PDF Download • “Plainsong Propers” (1964) — Extremely Rare!

English Gregorian Chant by the Sisters of the Most Precious Blood (O’Fallon, Missouri)

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski
    What does this mean? “Pre-Urbanite”
    Something informed critics have frequently praised vis-à-vis the Saint Jean de Brébeuf Hymnal is its careful treatment of the ancient hymns vs. the “Urbanite” hymns. This topic I had believed to be fairly well understood—but I was wrong. The reason I thought people knew about it is simple; in the EDITIO VATICANA 1908 Graduale Romanum (as well as the 1913 Liber Antiphonarius) both versions are provided, right next to each other. You can see what I mean by examining this PDF file from the Roman Gradual of 1908. Most people still don’t understand that the Urbanite versions were never adopted by any priests or monks who sang the Divine Office each day. Switching would have required a massive amount of effort and money, because all the books would need to be changed.
    —Jeff Ostrowski

Random Quote

“Many other things most justly keep me in the bosom [of the Catholic Church]. The consent of peoples and nations keeps me in the Church; so does her authority, inaugurated by miracles, nourished by hope, enlarged by love, established by age. The succession of priests keeps me, beginning from the very seat of the Apostle Peter, to whom the Lord, after His resurrection, gave it in charge to feed His sheep, down to the present episcopate.”

— Saint Augustine (Epistle against Manichaeus)

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