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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 22, 2016

PDF Download • “Latin in the New Liturgy” (1976)

“The use of Latin in celebrating the new Mass Rite will be encouraged as it has been in the old; Latin expresses the nature of the Church as international and timeless.”

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Jeff Ostrowski · February 20, 2016

Funeral Mass • Justice Antonin Scalia

You can download the program or view the full Mass online.

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Jeff Ostrowski · February 20, 2016

A Roman Catholic Cleric’s Noble Robes

The Archbishop of Kraków was (for a short time) Senator of the Second Polish Republic.

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Veronica Brandt · February 20, 2016

Recordings for A New Book of Old Hymns

A little book of Gregorian chant hymns for the every occasion, with a collection of recordings for those unfamiliar with chant notation. Now more than a decade since the first edition and still going strong.

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Richard J. Clark · February 19, 2016

122 Messengers of Peace • Dona Nobis Pacem

It’s never just about the music.

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Jeff Ostrowski · February 18, 2016

PDF • Two Nice Versions of “Attende Domine”

A good piece for Lent.

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Andrew Leung · February 18, 2016

Are you Praying the Mass?

An old and holy priest talks about prayer and the liturgy.

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Jeff Ostrowski · February 16, 2016

Something That Would Fix So Much … But Nobody Mentions It

Is this “tacit” approval really “imaginary” approval?

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Dr. Lucas Tappan · February 16, 2016

Dorothy Sayers and the Lost Tools of Learning

We will never inspire a new generation of great Catholic musicians, so sorely needed at this time, if we don’t open their eyes to the “Lost Tools of Learning Music” and point them to the One to Whose praises we hope to sing for ever in the Heavenly Jerusalem.

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Jeff Ostrowski · February 15, 2016

“Credo for Two Voices” • Gustaaf Nees (d. 1965)

This simple setting of Gregorian Credo IV uses organ, men’s voices, and women’s voices.

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Jeff Ostrowski · February 14, 2016

Musical Resources • 1st Sunday of Lent (EF)

“We solemnly offer the sacrifice at the beginning of Lent, O Lord…”

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Jeff Ostrowski · February 14, 2016

Canon Van Nuffel’s Setting Of Smoke Rising

“Smoke rises from the Mountain of Doom. The hour grows late, and Gandalf the Grey rides to Isengard seeking my counsel.”

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Fr. David Friel · February 14, 2016

Repetition in the Roman Missal

A Literary Approach in an Adoremus Bulletin Article

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Veronica Brandt · February 13, 2016

Save the Merit, Save the World

Lenten discipline : St Philip Neri says “to love to be unknown”; Gandalf says “Keep it secret, keep it safe.”

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Richard J. Clark · February 12, 2016

Minimal Standards at Weddings and Funerals

It is easier to capitulate than to educate.

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

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    —Jeff Ostrowski
    PDF Download • “For Pentecost Sunday”

    There’s a triple ‘allelúja’ and I just love the chord at the end of the 2nd iteration.

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    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”

    The following declaration will probably smack of “blowing my own horn.”

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    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”

    Regarding approval for the “Revised Standard Version (Catholic Edition).”

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    —Jeff Ostrowski
    “Reminder” — Month of May (2026)

    Since a new month has arrived, it’s my pleasure to remind you that…

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    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)

    I don’t care what people say; I love this piece!

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    —Jeff Ostrowski

Random Quote

“Dom Pothier does not belong to the dim past, as the silence which surrounds his name would lead one to believe. Only a few years separate us from the time when—growing old and heavily burdened by trials—Dom Pothier was concentrating his ever keen attention on the study of manuscripts in the Belgian place of retreat where his community had found refuge. For he was the abbot; and there can be no doubt that the cross he wore during those days was a cross of sorrow, though he bore it with a smile.”

— Dom Ermin Vitry, OSB (31-OCT-1936)

Recent Posts

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  • Entrance Chant • Before or After Opening Hymn?

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