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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · February 3, 2016

Exclusive Interview • Mr. Nancho Alvarez

“I must point out that the content of my site is totally free, granting open access to everyone.” —Nancho Alvarez

Jeff Ostrowski · February 2, 2016

Ridiculously Awesome Sanctus You’ve Never Heard

We are not allowed to sing Tropes in the Extraordinary Form, so I added that text in italics.

Jeff Ostrowski · February 2, 2016

PDF Download • Simple Pieces For Roman Catholic Church Choirs (345 Pages)

First published in 1901 by Emile Dethier, organist at the Grand Seminary in Liège, Belgium.

Richard J. Clark · February 1, 2016

EWTN Broadcast • Mass of Ordination • First Bishop of the Personal Ordinariate of the Chair of St. Peter

The elevation of bishop by Pope Francis of Bishop-Elect Steven J. Lopes is highly significant as the First Bishop of the Personal Ordinariate of the Chair of St. Peter.

Jeff Ostrowski · January 31, 2016

Musical Resources • Sexagesima Sunday (EF)

“Grant, we humbly beseech Thee, almighty God, that those whom Thou refreshest with Thy sacraments…”

Fr. David Friel · January 31, 2016

Too Many Options

Allowing Adolescents to Choose Their Faith & the Wide-Open Permissions of the GIRM

Veronica Brandt · January 30, 2016

Make a Digital Piano Sound Like an Organ

Nothing beats a real pipe organ, but you may be able to put together a respectable substitute that you can lug into a church in a few bags.

Richard J. Clark · January 29, 2016

The Vulnerability of Choral Singing

The human voice voice is unique as it is the only musical instrument housed within our God given body. And those who sing before others utterly exposed and vulnerable.

Andrew Leung · January 28, 2016

Is the Latin Mass Dead?

The Latin Mass is dead in a sense, its “rubrical growth” stopped in 1962.

Andrew Leung · January 28, 2016

Diocese of Marquette Taking a Brave Step

Bishop John Doerfler’s new Instruction on Sacred Music in Divine Worship.

Dr. Lucas Tappan · January 27, 2016

Most Pure Heart Schola Cantorum in Rome (Part 2)

Watch the debut of Colin Mawby’s “Ave Maria” in Rome.

Jeff Ostrowski · January 26, 2016

Chosen Your Easter Alleluia Yet?

It’s time—and here’s one you’ll love.

Jeff Ostrowski · January 26, 2016

Not Your Grandmother’s Creed

Composer David Haas posted a striking proclamation on his Facebook page.

Guest Author · January 25, 2016

Reflections on the Change of the Mandatum Rite

A guest article by Mr. Michael Chan, who lives in Hong Kong.

Jeff Ostrowski · January 24, 2016

Musical Resources • Septuagesima Sunday (Extraordinary Form)

Yet the laborer called at the eleventh hour does not taste the joy reserved to one who has “worked and suffered without reckoning the hours.”

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Corpus Christi Watershed

President’s Corner

    PDF • “3-Voice Motet” (Father De Laet)
    I believe 99% of our readers will recognize this hymn tune. Perhaps Father Edgard De Laet should have called it a ‘hymn’ instead of a ‘motet for three voices’—but he’s technically correct, since MOTET is defined as: “a short piece of sacred choral music, typically polyphonic and unaccompanied.” The even verses are for three voices, as you will see if you download the PDF score at #20245. The odd verses may be song a cappella SATB or unison with organ.
    —Jeff Ostrowski
    PDF Download • “Hymn for 2 Voices”
    Readers who click on this video will see that it starts with verses of the “Pange Lingua” hymn by Saint Thomas Aquinas (d. 1274) arranged for two voices. However, there’s a polyphonic refrain (“Tantum Ergo”) for three voices, taken from Kevin Allen’s Motecta Trium Vocum. If your choir is very small, this piece is for you! You can download the PDF score free of charge—and you can also utilize the rehearsal videos for each individual voice—by navigating yourself to #20323.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • PDF • “3-Voice Motet” (Father De Laet)
  • PDF Download • “Hymn for 2 Voices”
  • (January 2026) • “Children Singing Plainsong”
  • “Inquiry” • For Music Directors of Cathedrals and Larger Parish Churches
  • PDF Download • “Pange Lingua” for Three Voices (Father Edgard De Laet)

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