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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Musical Resources • Most Holy Name (Extraordinary Form)

Jeff Ostrowski · December 31, 2015


RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet


PROCESSIONAL   •   #810 Of The Father’s Love Begotten

From the Campion Hymnal.   •   Organist


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

To practice the new section of the Asperges, you must locate #4550.


INTROIT   •   Sung by the men only.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

Here’s the Singer Score (PDF) for the Kyrie. To practice, use #5054 and #5053

To practice the Kyrie by Richard Rice, which will sing again someday, you must locate #4781.

Sometimes we do a Kyrie from the Campion Hymnal. The organist needs this Accompaniment. To learn this piece, go here and find “Kyrie XI.”


GLORIA IN EXCELSIS

Singer Score (PDF) and you can practice with #5051.


GRADUAL & ALLELUIA

To practice the new Palestrina ALLELUIA, you must locate #4470. The other one we know is #5050.

You don’t need to practice the chant verses which change each week.


CREDO IV   •   Alternatim

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist


OFFERTORY ANTIPHON

PDF Score (Singer)


OFFERTORY POLYPHONY

Here’s the Singer Score (PDF) and practice with #3792


SANCTUS & HOSANNA

We have been singing #4912 and will sing it again this Sunday.

Sometimes—but not this coming Sunday—we sing a different polyphonic “Hosanna,” which is #5048. You don’t need to practice the Chant Part.


AGNUS DEI

The new setting currently lacks rehearsal videos.

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

Don’t forget our other setting, #4347.


COMMUNION ANTIPHON

PDF Score (Singer)   •   Practice Audio (Singer)


COMMUNION POLYPHONY

“Jesu Dulcis Memoria” is number #4428.


COMMUNION HYMN

Singer Score (PDF)   •   Organist


RECESSIONAL HYMN   •   #806 Joy To The World

From the Campion Hymnal.   •   Organist

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    PDF • “For the Season of Pentecost”
    During the season of Pentecost, you might consider using this 2-page Piece “for the season of Pentecost.” Rehearsal videos are available at #40691, but the lyrics are different. Therefore, make sure your choir members understand that one can rehearse songs that have different lyrics (“CONTRAFACT”).
    —Jeff Ostrowski
    Introit • (This Coming Sunday)
    Our volunteer choir appreciates training videos, so here's my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.
    —Jeff Ostrowski
    Volunteer Choir Attempts “Kýrie Eléison”
    My volunteer choir attempted the polyphonic KYRIE that will be sung at this year's Sacred Music Symposium. If you're interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of the quote by Artur Schnabel: “music that's greater than it can be performed.”
    —Jeff Ostrowski

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

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