Views from the Choir Loft

Musical Resources • Most Holy Name (Extraordinary Form)

Jeff Ostrowski · December 31, 2015

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL • #810 Of The Father’s Love Begotten

From the Campion Hymnal. • Organist

ASPERGES

PDF Score (Singer) • Practice Audio (Singer) • Organist

To practice the new section of the Asperges, you must locate #4550.

INTROIT • Sung by the men only.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON

Here’s the Singer Score (PDF) for the Kyrie. To practice, use #5054 and #5053

To practice the Kyrie by Richard Rice, which will sing again someday, you must locate #4781.

Sometimes we do a Kyrie from the Campion Hymnal. The organist needs this Accompaniment. To learn this piece, go here and find “Kyrie XI.”

GLORIA IN EXCELSIS

Singer Score (PDF) and you can practice with #5051.

GRADUAL & ALLELUIA

To practice the new Palestrina ALLELUIA, you must locate #4470. The other one we know is #5050.

You don’t need to practice the chant verses which change each week.

CREDO IV • Alternatim

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY POLYPHONY

Here’s the Singer Score (PDF) and practice with #3792

SANCTUS & HOSANNA

We have been singing #4912 and will sing it again this Sunday.

Sometimes—but not this coming Sunday—we sing a different polyphonic “Hosanna,” which is #5048. You don’t need to practice the Chant Part.

AGNUS DEI

The new setting currently lacks rehearsal videos.

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

Don’t forget our other setting, #4347.

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION POLYPHONY

“Jesu Dulcis Memoria” is number #4428.

COMMUNION HYMN

Singer Score (PDF) • Organist

RECESSIONAL HYMN • #806 Joy To The World

From the Campion Hymnal. • Organist

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Luis Martínez Must Go!

Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]

—Jeff Ostrowski

Urgent! • We Desperately Need Funds!

A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!

—Jeff Ostrowski

“Booklet of Eucharistic Hymns” (16 pages)

I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.

—Jeff Ostrowski

Pope Pius XII Hymnal?

Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.

—Corpus Christi Watershed

“Hybrid” Chant Notation?

Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.

—Corpus Christi Watershed

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

Had the Church never spoken on this matter, it would still be repugnant to our Catholic people’s sense of what is fit and proper in the holiest of places, that a priest should have to struggle through the prayers of the Holy Mass, because of such tunes as “Alice, where art thou?” the “Vacant Chair,” and others of more vulgar title, which, through the carelessness or bad judgment of organists, sometimes find their way into our choirs.

— Preface to a Roman Catholic Hymnal (1896)