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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Cynthia Ostrowski · August 15, 2016

Catholic Bulletin Art • Installment #71

Pristine black-and-white bulletin art. Step inside a treasure trove of exquisitely-detailed sacred engravings, spanning the entire liturgical year from the Dormition of Mary to the Sacred Heart, each one begging to grace your parish bulletin.

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Jeff Ostrowski · August 15, 2016

Hymn for St. Thomas More & St. John Fisher

Fascinating verses by Msgr. Ronald Knox

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Fr. David Friel · August 14, 2016

World Youth Day Krakow: Music Recordings

Seventeen (17) Tracks Now Available on iTunes

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Jeff Ostrowski · August 12, 2016

Major Media Outlet Re: “Ad Orientem”

Corpus Christi Watershed is mentioned and cited!

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Richard J. Clark · August 12, 2016

The Difficulty of Cultivating a Prayerful Focus for Musicians

Quiet prayer for church musicians is very difficult to come by. Here are nine things one may find helpful.

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Jeff Ostrowski · August 12, 2016

Musical Resources • 14th Sunday after Pentecost

“May Thy Sacraments, O Lord, ever purify and fortify us…”

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Jeff Ostrowski · August 11, 2016

Hymn Tunes • What’s Up With Naming Them?

Until recently, most Catholic hymnals didn’t have a metrical index!

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Jeff Ostrowski · August 10, 2016

Worst Typo Of All Time?

This one got by the editor’s eye!

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Jeff Ostrowski · August 9, 2016

Too Many Sopranos? Try This Canon!

A compositional miracle by Rev’d Tomás Luis de Victoria (d. 1611).

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Jeff Ostrowski · August 8, 2016

Being Careful With Hymns

Each individual “ear” must decide what is acceptable.

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Fr. David Friel · August 7, 2016

A Different Kind of World Youth Day

Sacred Music Helped to Transform Tauron Arena Kraków into a House of Prayer

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Jeff Ostrowski · August 6, 2016

Interesting Points in this Sunday’s Offertory

Do you understand why I’ve highlighted various points?

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Richard J. Clark · August 5, 2016

“Ad Orientem” and Granovetter’s Threshold Models of Collective Behavior

The people deserve to know the truth. It is time for ignorance to end so that the faithful may develop informed opinions.

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Andrew Leung · August 4, 2016

St. Josemaría and the Mass

These pictures can prove St. Josemaría’s love for the Old Mass.

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Jeff Ostrowski · August 3, 2016

The “Long & Short” of Latin Hymns

Such underlay would be considered loathsome by composers like Guerrero. Indeed, it’s an impossibility!

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • PDF Download • “Hymns We Have Used” (306 Entries) – Including an 11-Page Chart
  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)

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