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Views from the Choir Loft

Rehearsal videos • “Come, Holy Ghost” (SATB)

Jeff Ostrowski · May 11, 2016

UITE A SPECIAL EVENT is approaching: Sacred Music Symposium 2016. The culmination—to which you are cordially invited—will take place on 31 May. There will be Solemn Mass (4:30pm), followed by a ceremony with Archbishop Gomez. It was necessary to choose a harmonization for COME, HOLY GHOST, a hymn Catholics love to sing! The English translation is by Fr. Edward Caswall (d. 1878), and the melody was composed by Fr. Louis Lambillotte (d. 1855). I chose the following harmonization, by Giuseppe Moretti (d. 1927):

    * *  PDF Download • COME, HOLY GHOST (SATB w/ Organ)

EQUAL VOICES : YouTube   •   Mp3 Audio

SOPRANO : YouTube   •   Audio

ALTO : YouTube   •   Audio

TENOR : YouTube   •   Audio

BASS : YouTube   •   Audio

Moretti borrows a Renaissance technique where voices don’t always move in sync. I can’t decide whether I love it or hate it. I hope you will come to the events on 31 May—especially the Solemn Mass at 4:30pm—and you can decide whether this arrangement “works.” (The rehearsal videos don’t count, since it’s just my voice singing all the parts.)

We’d love to see you there!   …and you can meet the FSSP District Superior!

MANY READERS WILL KNOW the name of Fr. Louis Lambillotte (1796-1855), a Jesuit priest. Here’s a 1955 article about Fr. Lambillotte by another Jesuit, Fr. Paul Callens, who taught Gregorian chant in Corpus Christi, Texas, for many years. He also translated this letter by Dom Gajard, condemning plainsong adaptations in the vernacular & the Pius XII Psalter.

By the way, choir members often ask permission to “sing parts” for hymns. It is incumbent on the choirmaster—before permission is granted—to make sure the harmonies match. Hymns usually have several harmonizations. When the organist plays “A” while singers use “B,” the result is cacophony.

Finally, COME, HOLY GHOST is one of those hymns we’re not supposed to like. We’re supposed to say that homo modernus cannot appreciate such outdated, saccharine, quaint hymns. But I love this hymn—and many Catholics agree with me. When I call to mind my brother’s Confirmation, tears spring to my eyes (even after all these years) and I’m moved to pray for him and thank God for his Confirmation. There can’t be too much wrong with a hymn that can evoke such feelings of love & devotion, right? (Just don’t tell homo modernus, please!)


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Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Vespers Booklet (4th Sunday of Lent)
    The organ accompaniment booklet (24 pages) which I created for the 4th Sunday of Lent (“Lætare Sunday”) may now be downloaded, for those who desire such a thing.
    —Jeff Ostrowski
    Vespers Booklet, 3rd Sunday of Lent
    The organ accompaniment I created for the 3rd Sunday of Lent (“Extraordinary Form”) may now be downloaded, if anyone is interested in this.
    —Jeff Ostrowski
    Weeping For Joy! (We Hope!)
    Listening to this Easter Alleluia—an SATB arrangement I made twenty years ago based on the work of Monsignor Jules Van Nuffel—one of our readers left this comment: “I get tears in my eyes each time I sing to this hymn.” I hope this person is weeping for joy!
    —Jeff Ostrowski

Random Quote

“And thus, when we renounce for Thee | Its restless aims and fears, | The tender mem’ries of the past, | The hopes of coming years, | Poor is our sacrifice, whose eyes | Are lighted from above; | We offer what we cannot keep, | What we have ceased to love.”

— Blessed John Henry Cardinal Newman

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