Views from the Choir Loft

Musical Resources • Pentecost Sunday

Jeff Ostrowski · May 13, 2016

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL

Organist.

VIDI AQUAM

PDF Score (Singer) • Organist

INTROIT • Sung by the men.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON

For rehearsal videos, visit this website and locate #3347, #3661, and #3579.

GLORIA IN EXCELSIS

We will sing #3610.

GRADUAL & ALLELUIA

During Eastertide, there’s a special Alleluia.

We sing #3524 with the verses which you don’t need to practice.

PENTECOST SEQUENCE

To practice, you must locate #4973.

CREDO IV • Alternatim

We sing this version: #3445.

OFFERTORY ANTIPHON

PDF Score (Singer)

Organist will play during the Offertory.

SANCTUS & HOSANNA

We have been singing #3496.

AGNUS DEI

Here is the musical score. To learn this piece, visit this website and locate #2978. The words are different, but the music is the same.

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION POLYPHONY

We will sing at least the first four pages of #3473, “Hymn to the Trinity.”

RECESSIONAL HYMN • #883 “Come, Holy Ghost” (SATB)

To practice, you must locate #2876.

PRAYER WITH THE CHOIR (taken from the CAMPION HYMNAL) :

511 Christ Saves

810 Endings Collects CAMPION MISSAL

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

“Tonus Solemnior” • How old is it?

In the 1962 Missal, a section called “præfationes in tono solemniore” contains ornate melodies for the Preface. An article posted on the blog of the Church Music Association of America claims the tone comes from “the late 19th century” and said its elimination “is one of the very few good things which the post-Conciliar reform did for Gregorian chant.” The author said: “The Roman solemn preface tone is already beautiful enough, there was no need to give a more Romantic feel.”

Some have asked us whether the tonus solemnior comes from “the late 19th century.” It does not. Their author was wrong by at least 400 years. I have seen this tone in MSS from the 1400s—and it may go back even further. Here is an example from 1494AD. And here’s another from the 1400s. The FSSP priests use these tones on high feasts, and the effect is unforgettable.

—Jeff Ostrowski

6 January 2022 • Quick!

A short version of the INTROIT for the feast of the Epiphany has been added to the Saint René Goupil Gregorian Chant Website.

—Jeff Ostrowski

Confusing Feasts of Christmas

Whether one considers the Missale Vetustum or the post-conciliar calendar—or even the 1908 calendar—the feasts which follow Christmas are very confusing. Last year I created this comparison chart. I hope you find it helpful. As far as I can tell, my chart is the first effort to carefully detail the changes made to post-Christmas feasts (unless we also count the rather basic one by Lauren Pristas).

—Jeff Ostrowski