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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · August 26, 2016

Communion Antiphons for Advent & Christmas • NEW • World Library Publications

World Library Publications has published settings of Communion propers for Advent and Christmas. Listen here to beautiful recordings directed by Paul French.

Andrew Leung · August 25, 2016

I Am Moving Again!

I will be studying at St. Joseph Seminary in the historical Diocese of Macau, China.

Jeff Ostrowski · August 25, 2016

“Simple Kyriale” for Dumb Organists Like Me!

Fr. Valentine used to say: “You can play 100 notes right, and miss just one—and people will criticize you for that wrong one!”

Jeff Ostrowski · August 25, 2016

The Eight Gregorian Psalm Tones (PDF)

I’m sick of looking for this chart online!

Jeff Ostrowski · August 24, 2016

Can You Hear The Difference?

Do you prefer polyphony recorded by just my voice, or mixed with “real” voices?

Dr. Lucas Tappan · August 23, 2016

A New Choral Year Off to the Races

If you aren’t used to working with children, it can be a bit daunting on your first day…

Jeff Ostrowski · August 23, 2016

“Ad Orientem” • Why I’m Rejoicing over Sloppy Errors in the Catholic Herald

His assertion that “smoking out enemies” is best done by appointing them to high positions in the Vatican is absurd.

Fr. David Friel · August 21, 2016

Essence, Form, Experience

Fourth Annual Art of the Beautiful Lecture Series

Richard J. Clark · August 19, 2016

Saint Cecilia and an Angel Orazio Gentileschi and Giovanni Lanfranco

New Resource from the Archdiocese of Boston for First Communion and Confirmation

The most important element of this document is not the list of hymns and chants, but the vital coupling of faith formation and sacred music.

Jeff Ostrowski · August 18, 2016

“Polyphony For Dummies”

A new video presentation with excellent audio samples.

Jeff Ostrowski · August 16, 2016

Breathtaking Images from Poland

A liturgical workshop took place in Licheń, Poland from 4-11 August 2016.

Dr. Lucas Tappan · August 16, 2016

Strive for Excellence

Let’s face facts—the English cathedral system of forming church musicians works.

Cynthia Ostrowski · August 15, 2016

Catholic Bulletin Art • Installment #71

If you’re confused about what’s happening, search google for “Dormition of Mary.”

Jeff Ostrowski · August 15, 2016

Hymn for St. Thomas More & St. John Fisher

Fascinating verses by Msgr. Ronald Knox

Fr. David Friel · August 14, 2016

World Youth Day Krakow: Music Recordings

Seventeen (17) Tracks Now Available on iTunes

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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