Views from the Choir Loft

Articles

Corpus Christi Watershed · November 28, 2016

Today Only! 40% off musical scores

Why not pick up a copy of Kevin Allen’s “Matri Divinae” collection?

Jeff Ostrowski · November 28, 2016

Unbelievable Track Recorded By One Voice!

I had the pleasure of meeting Mr. Pete Avendaño at the Sacred Music Symposium, held each year in Los Angeles.

Fr. David Friel · November 27, 2016

Update on Sacra Liturgia Milano 2017

Preliminary Speaker List and Background Information

Jeff Ostrowski · November 27, 2016

Musical Resources • 1st Sunday of Advent 1

“May we receive Thy mercy, O Lord, in the midst of Thy temple…”

Jeff Ostrowski · November 26, 2016

Meatless Fridays • Were We Taught Correctly?

“Ever wonder why McDonald’s decided in 1962 to put a piece of fish into a hamburger bun?” —Bishop Earl Boyea

Andrew Leung · November 24, 2016

Free Download • Simple Choral Midnight Mass Introit

A simple setting of “Dominus Dixit ad Me” by Fr. Áureo Castro.

Corpus Christi Watershed · November 24, 2016

Thanksgiving

Pope Francis has said: “Friar Junípero was one of the founding fathers of the United States.”

Jeff Ostrowski · November 23, 2016

PDF Download • “Ordo Missæ” As We Use It

Do you provide something similar for your choirs?

Corpus Christi Watershed · November 23, 2016

Cardinal Sarah Visits The Monastery of Solesmes

If you read French, you’ll understand these homilies.

Jeff Ostrowski · November 22, 2016

Resplendent Christmas Piece for Two Voices!

This gem by Fr. Nicolas du Peron (d. 1963) incorporates Christmas carols in a most ingenious way.

Dr. Lucas Tappan · November 22, 2016

Pastors & Church Musicians: Are We Really Working Together?

Msgr. Marini recently spoke to a group of Italian musicians as part of a choral festival.

Fr. David Friel · November 20, 2016

A Triptych on Mercy • Reflection III

The Beauty of Mercy

Veronica Brandt · November 19, 2016

Liturgy and Sensory Issues

Simplicity and predictability are important for being inclusive.

Jeff Ostrowski · November 19, 2016

Fr. James Fryar, FSSP, on EWTN (16 November 2016)

How Much Do You Know About The Latin Mass?

Richard J. Clark · November 18, 2016

A Dad’s Dilemma • I pray and God determines.

Working for the Church is wholly at odds with having a family and being present for them.

New Bulletin Article • “21 September 2025”

My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.

—Jeff Ostrowski

Cheap! Cheap! Cheap!

It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…

—Jeff Ostrowski

PDF Download • Dom Murray Harmonies

Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”

—Jeff Ostrowski

Karl Keating • “Canonization Questions”

We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.

—Corpus Christi Watershed

Vatican II Changed Wedding Propers?

It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.

—Corpus Christi Watershed

Solemn “Salve Regina” (Chant)

How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).

—Corpus Christi Watershed