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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Family Life and the Sacred Liturgy

Dr. Lucas Tappan · April 4, 2017

LMT Von Trapp Family Advent Wreath NE OF MY FAVORITE little tomes to pull off the shelf on a somewhat regular basis is Around the Year with the Trapp Family by Maria von Trapp. Whenever our family stands upon the threshold of a new liturgical season my wife and I look for ways to bring the Faith alive at home for our children (especially through music), which usually means connecting our home life to the liturgical life of the Church, and this easy-to-read book provides us with ideas-a-plenty. Last Sunday was no exception, especially after our oldest son noticed the statues and crucifixes in church draped in violet to mark the beginning of Passiontide.

For those of you who have never read this book, I encourage you to do so. Baroness von Trapp wrote the book in 1955 when the Liturgical Movement weighed heavily upon the minds and hearts of many in the Church, accompanied by a sincere desire to reawaken in men a love and appreciation for the Church’s Sacred Liturgy and its power to bear spiritual fruit in the lives of Her faithful. Maria’s family hailed from a country where, and an era when, God and the Sacred Liturgy were still the center of personal, familial and even national life, where the saving work of Christ in the Sacraments spilled copiously into everyday life. The Baroness’s work is simply her attempt to share with readers how her family lived its Catholic Faith, inspired by the Sacred Liturgy. While the customs she described might have been Austrian in flavor, she rightly noted they were Catholic in origin, and therefore didn’t necessarily belong to one nation or peoples.

I mention this book for several reasons today. First, I have often written how important it is for the family to sing at home, and how the Church’s music helps to form the faith of one’s children. Here one can read about a concrete example of this within a particular family. Secondly, I mention the book because I am somewhat envious of a family that had its own chapel (my wife and I are working on that), wherein our Lord resided in the Blessed Sacrament (my wife and I doubt that will ever happen), as well as a priest living with them for 25 years!

I am particularly struck by the Baroness’ love for the Church’s Liturgy. She wrote,“We always consider this the greatest honor for us, the singing family, the greatest reward for all the trouble that goes along with life in public, that we can sing for all the Divine Offices in church” (speaking of the Liturgies in Holy Week). The small parish church in Stowe, VT, where the family eventually settled, was fortunate indeed to hear the family sing the Office of Tenebrae on Wednesday of Holy Week. According to the authoress, the family sang the psalms of the first nocturne of Matins to their respective tones, while the antiphons were sung to Gregorian chant, Palestrina, Lassus and Victoria. The psalms of the second and third nocturnes were sung recto tono, while the family’s chaplain, Msgr. Franz Wasner and two of the von Trapp sons sang all of the lessons. Then followed the Office of Lauds.

I can’t imagine my family playing such an intimate role in the awesome ceremonies of Holy Week, but I am sure it made an awesome impression on the von Trapps. Obviously this is out of the reach of most families, but what if your family were to begin singing the great Passion Chorale, O Sacred Head Surrounded, each evening at the end of supper? Perhaps your family could include the opening line of the Reproaches in your night prayers as part of an examination of conscience or recited David’s great penitential psalm, the Miserere meus. If your children are fortunate enough to hear these in your parish they will make the connection between the Sacred Liturgy and everyday life. When they are weighed down by sin or perhaps far from the Lord (God forbid), they can call to mind the mercy of God and with David recite:

Have mercy on me, O God, according to thy great mercy. And according to the multitude of thy tender mercies blot out my iniquity. Wash me yet more from my iniquity, and cleanse me from my sin… To my hearing thou shalt give joy and gladness: and the bones that have been humbled shall rejoice.

Here’s a video of the family singing for your enjoyment—definitely not music from Holy Week!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Maria von Trapp Last Updated: February 28, 2024

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About Dr. Lucas Tappan

Dr. Lucas Tappan is a conductor and organist whose specialty is working with children. He lives in Kansas with his wife and four children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

When Christ gave the bread, he did not say, “This is the symbol of my body,” but, “This is my body.” In the same way, when he gave the cup of his blood he did not say, “This is the symbol of my blood,” but, “This is my blood.”

— Theodore, Bishop of Mopsuestia, writing in the 5th Century

Recent Posts

  • PDF Download • “Sprinkling Rite”
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  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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