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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Fr. David Friel · March 15, 2017

Dunwoodie Chant Conference • Review of a Successful Event

I was renewed in spirit for a future filled with hope for liturgical music.

Dr. Lucas Tappan · March 15, 2017

Do we need hymns, when we already have Psalms?

The Psalter, as Esolen notes, is the prayer book of the Church and the Psalms constitute the “foundational poems of Christian praise.”

Jeff Ostrowski · March 14, 2017

Fighting With Choir Members?

“On Holy Saturday in 1545—while the pope and several cardinals were present—two of the oldest choir members flew at each other during the blessing of the new oils, shouting in a loud voice…”

Jeff Ostrowski · March 14, 2017

How Low Can You Sing?

I can’t even hear these pitches—can you?

Veronica Brandt · March 11, 2017

A CD from on High for Benedictines in Tasmania

A new CD you don’t have yet full of beautiful music raising funds for bringing more beautiful music to Tasmania.

Jeff Ostrowski · March 10, 2017

GoFundMe Campaign • Needing Scholarships!

Sacred Music: “Curse the darkness…or light a candle?”

Richard J. Clark · March 10, 2017

Pope Francis, Sacred Music, and the Biggest Stage

Such musical exhortations are not new, but the tone and visibility are.

Jeff Ostrowski · March 10, 2017

Musical Resources • 2nd Sunday of Lent 1

“O God, Who seest how we are destitute of all strength…”

Fr. David Friel · March 8, 2017

Revisiting Musicam Sacram

Fifty Years Later – Strengths, Weaknesses, and Progressive Solemnity

Jeff Ostrowski · March 7, 2017

Vatican II • What You Were Too Embarrassed To Ask

Fr. Christopher Smith has created a 7-part series on Vatican II.

Dr. Lucas Tappan · March 7, 2017

Let Everything That Hath Breath Praise the Lord!

Point us once again to God Who is Beauty Itself!

Jeff Ostrowski · March 6, 2017

PDF Download • “Antiphonale Romanum” (1949)

Yesterday, I used the text on page 366 to create an SATB Hymn for Lent.

Fr. David Friel · March 5, 2017

Is There Music in Heaven?

The Sights and Sounds of St. John’s Apocalypse

Veronica Brandt · March 4, 2017

O Crux Ave, partial recording

A stepping stone towards singing this motet with a small choir – a recording for the middle voice of Fr Friel’s 3 part motet.

Richard J. Clark · March 4, 2017

Pope Francis on musical quality: “mediocrity, superficiality, and banality”

“Sometimes a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations.”

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President’s Corner

    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski
    “Music List” • 14 September (Holy Cross)
    Readers have expressed interest in perusing the ORDER OF MUSIC I prepared for 14 September 2025, which is the Feast of Exaltation of the Holy Cross. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    New Bulletin Article • “14 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 14 September 2025) discusses OFFERTORY ANTIPHONS and contains a wonderful quote by Archbishop Fulton J. Sheen.
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

The Council of Trent taught: “In this divine sacrifice which takes place at Mass, the same Christ is present and is immolated in an unbloody manner, Who once on the Cross offered Himself in a bloody manner. For the victim is one and the same, now offering through the ministry of priests, Who then offered Himself on the Cross; only the manner of offering is different” (Session XXII, cap. 2, Denzinger, n. 940).

— Pope Pius XII (2 November 1954)

Recent Posts

  • PDF Download • Dom Murray Harmonies
  • “Music List” • 14 September (Holy Cross)
  • Do You Recognize This Hymn? Do You Like It?
  • Charlie Kirk’s Fascination with Traditional Catholic Liturgy
  • “Novus Ordo Parish … With Polyphony?” • Is that possible? How specifically does that work?

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