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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

How Is The “Kiss of Peace” Done Properly?

Jeff Ostrowski · July 27, 2017

HEN I SERVED as Master of Ceremonies in the 1990s, I got the PAX (“Kiss of Peace”) and gave it to the Thurifer. Years later, a priest told me this was a liturgical abuse. In his famous ceremonies book, Fr. Adrian Fortescue (page 105) says Thurifer and Master of Ceremonies do receive the PAX—but this was 100 years ago, so there’s a real question whether he assumes those people will be clerics.

In this FSSP video, the M.C. and Thurifer do receive the PAX. However, they are also clerics—so this might muddy the question:


For centuries, the Kiss of Peace has ceased to be an actual kiss. Fortescue describes it thus:

The kiss of peace at Mass is given in this way. The two persons stand facing each other with hands joined. The one who is to receive the kiss bows. Then the one who gives it lays his hands on the shoulders of the other; the receiver puts his arms under those of him who gives it. Both bow the head over the left shoulder of the other. The one who gives the kiss says “Pax tecum.” The other answers “Et cum spiritu tuo.” Then they stand again with folded hands facing each other, and both bow.

When it comes to Italian liturgical terms, I love what Fortescue says here:

096 Fortescue Italian Terms


By the way, the “Agnus Dei” in the video was sung by the 2017 Sacred Music Symposium.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

    Hymn by Cardinal Newman
    During the season of Septuagesima, we will be using this hymn by Cardinal Newman, which employs both Latin and English. (Readers probably know that Cardinal Newman was one of the world's experts when it comes to Lingua Latina.) The final verse contains a beautiful soprano descant. Father Louis Bouyer—famous theologian, close friend of Pope Paul VI, and architect of post-conciliar reforms—wrote thus vis-à-vis the elimination of Septuagesima: “I prefer to say nothing, or very little, about the new calendar, the handiwork of a trio of maniacs who suppressed (with no good reason) Septuagesima and the Octave of Pentecost and who scattered three quarters of the Saints higgledy-piddledy, all based on notions of their own devising!”
    —Jeff Ostrowski
    Introit • Candlemas (2 February)
    “Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!
    —Jeff Ostrowski
    Simplified Antiphons • “Candlemas”
    Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

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